Bildungsromans; Midlands (England) -- Fiction; Young men -- Fiction
“You will flutter brilliantly.”
“We will.”
“No—you’ll be the moth—I’ll paint your wings—gaudy feather-dust. Then
when you lose your coloured dust, when you fly too near the light, or
when you play dodge with a butterfly net—away goes my part—you can’t
fly—I—alas, poor me! What becomes of the feather-dust when the moth
brushes his wings against a butterfly net?”
“What are you making so many words about? You don’t know now, do you?”
“No—that I don’t.”
“Then just be comfortable. Let me look at myself in your eyes.”
“Narcissus, Narcissus!—Do you see yourself well? Does the image flatter
you?—Or is it a troubled stream, distorting your fair lineaments.”
“I can’t see anything—only feel you looking—you are laughing at
me.—What have you behind there—what joke?”
“I—I’m thinking you’re just like Narcissus—a sweet, beautiful youth.”
“Be serious—do.”
“It would be dangerous. You’d die of it, and I—I should——”
“What!”
“Be just like I am now—serious.”
He looked proudly, thinking she referred to the earnestness of her
love.
In the wood the wind rumbled and roared hoarsely overhead, but not a
breath stirred among the saddened bracken. An occasional raindrop was
shaken out of the trees; I slipped on the wet paths. Black bars striped
the grey tree-trunks, where water had trickled down; the bracken was
overthrown, its yellow ranks broken. I slid down the steep path to the
gate, out of the wood.
Armies of cloud marched in rank across the sky, heavily laden, almost
brushing the gorse on the common. The wind was cold and disheartening.
The ground sobbed at every step. The brook was full, swirling along,
hurrying, talking to itself, in absorbed intent tones. The clouds
darkened; I felt the rain. Careless of the mud, I ran, and burst into
the farm kitchen.
The children were painting, and they immediately claimed my help.
“Emily—and George—are in the front room,” said the mother quietly, for
it was Sunday afternoon. I satisfied the little ones; I said a few
words to the mother, and sat down to take off my clogs.
In the parlour, the father, big and comfortable, was sleeping in an
arm-chair. Emily was writing at the table—she hurriedly hid her papers
when I entered. George was sitting by the fire, reading. He looked up
as I entered, and I loved him when he looked up at me, and as he
lingered on his quiet “Hullo!” His eyes were beautifully eloquent—as
eloquent as a kiss.
We talked in subdued murmurs, because the father was asleep, opulently
asleep, his tanned face as still as a brown pear against the wall. The
clock itself went slowly, with languid throbs. We gathered round the
fire, and talked quietly, about nothing—blissful merely in the sound of
our voices, a murmured, soothing sound—a grateful, dispassionate love
trio.
At last George rose, put down his book—looked at his father—and went
out.
Public-domain text, read in full here on John Shaqi.
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