Bildungsromans; Midlands (England) -- Fiction; Young men -- Fiction
So we went along by the hurrying brook, which fell over little cascades
in its haste, never looking once at the primroses that were glimmering
all along its banks. We turned aside, and climbed the hill through the
woods. Velvety green sprigs of dog-mercury were scattered on the red
soil. We came to the top of a slope, where the wood thinned. As I
talked to Emily I became dimly aware of a whiteness over the ground.
She exclaimed with surprise, and I found that I was walking, in the
first shades of twilight, over clumps of snowdrops. The hazels were
thin, and only here and there an oak tree uprose. All the ground was
white with snowdrops, like drops of manna scattered over the red earth,
on the grey-green clusters of leaves. There was a deep little dell,
sharp sloping like a cup, and white sprinkling of flowers all the way
down, with white flowers showing pale among the first inpouring of
shadow at the bottom. The earth was red and warm, pricked with the
dark, succulent green of bluebell sheaths, and embroidered with
grey-green clusters of spears, and many white flowerets. High above,
above the light tracery of hazel, the weird oaks tangled in the sunset.
Below, in the first shadows, drooped hosts of little white flowers, so
silent and sad; it seemed like a holy communion of pure wild things,
numberless, frail, and folded meekly in the evening light. Other flower
companies are glad; stately barbaric hordes of bluebells, merry-headed
cowslip groups, even light, tossing wood-anemones; but snowdrops are
sad and mysterious. We have lost their meaning. They do not belong to
us, who ravish them. The girls bent among them, touching them with
their fingers, and symbolising the yearning which I felt. Folded in the
twilight, these conquered flowerets are sad like forlorn little friends
of dryads.
“What do they mean, do you think?” said Lettie in a low voice, as her
white fingers touched the flowers, and her black furs fell on them.
“There are not so many this year,” said Leslie.
“They remind me of mistletoe, which is never ours, though we wear it,”
said Emily to me.
“What do you think they say—what do they make you think, Cyril?” Lettie
repeated.
“I don’t know. Emily says they belong to some old wild lost religion.
They were the symbol of tears, perhaps, to some strange hearted Druid
folk before us.”
“More than tears,” said Lettie. “More than tears, they are so still.
Something out of an old religion, that we have lost. They make me feel
afraid.”
“What should you have to fear?” asked Leslie.
“If I knew I shouldn’t fear,” she answered. “Look at all the
snowdrops”—they hung in dim, strange flecks among the dusky
leaves—“look at them—closed up, retreating, powerless. They belong to
some knowledge we have lost, that I have lost and that I need. I feel
afraid. They seem like something in fate. Do you think, Cyril, we can
lose things off the earth—like mastodons, and those old
monstrosities—but things that matter—wisdom?”
Public-domain text, read in full here on John Shaqi.
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