The White Rose of Langley: A Story of the Olden TimeHolt, Emily Sarah
History
The White Rose of Langley: A Story of the Olden Time
Holt, Emily Sarah
Great Britain -- History -- Lancaster and York, 1399-1485 -- Fiction
There was no slight stir that morning on Berkhamsted Green. The whole
Court was gathered there, fringed on its outskirts by a respectful and
admiring crowd of sight-seers. Under a spreading tree sat the King, on
a fine black charger, a hooded hawk borne upon his wrist. Close beside
him was a little white palfrey, bearing a lady, and on her wrist also
was a hooded hawk. They were apparently waiting for somebody. In
front, the Prince of Wales, being of an active turn of mind, was amusing
himself by making his horse prance and curvet all about the green, and
levelling invisible lances at imperceptible foes--to the intense
interest of the outside crowd.
"Late, late, my Lord of Kent!" he cried lightly, as a bay charger shot
past him, its rider doffing his plumed cap.
Kent merely bowed again in answer, and rode rapidly up to the King.
"Better late than never, fair Cousin!" was Henry's greeting. "We will
forth at once. Will you ride by our fair guest?--The Lady Lucy of
Milan!"
The lady who sat on the white palfrey turned her face towards the Earl
of Kent, and, slightly blushing and smiling, spoke a few words of
courteous French, indicating her acceptance of his society for the day.
She was the most beautiful woman whom Kent had ever seen. Her figure
was very slight, and her carriage easy and graceful; her age was about
twenty. Glossy, luxuriant hair, of the deepest black, shaded a delicate
face, in shape midway between round and oval, the features of which,
though very regular, could not strictly be termed either Roman or
Grecian, for the nose was too straight for the former, while the
forehead was too prominent and too fully developed for the latter. Her
eyes were usually cast down, so that they were rarely seen; but when she
raised them, they showed themselves large, lustrous, and clear, of a
rich, deep, gleaming brown. Her complexion was formed neither of lilies
nor roses; it was that pure, perfect cream-colour, which one William
Shakspere knew was beautiful, though some of his commentators have
rashly differed from him. Add to this description a low, musical voice,
strangely clear for her nationality, and a smile of singular
fascination,--and it will not seem strange that Kent fell into the snare
laid for him, and had no eyes thenceforward but for Lucia Visconti.
Public-domain text, read in full here on John Shaqi.
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