The White Rose of MemphisFalkner, William C. (Clark)
General
The White Rose of Memphis
Falkner, William C. (Clark)
Memphis (Tenn.) -- Fiction
I drew as near as I could, and took my stand
on her left. She ran her fingers rapidly over the keys and then asked me
what she should sing.
“‘Give us something to remind us of olden times!’
“‘Very well, here is one of my own invention:
“‘In the happy days of yore
A hero loved me then.
Let my tears of sorrow pour,
My happy days are o’er,
For he loves me now no more--
He loved me truly then.
“‘Oh, what bliss it is to know
A hero loved me then!
His young heart was all aglow,
And as pure as driven snow;
I must let my hero go.
He loved me truly then.
“‘All the happy days are past--
A hero loved me then.
This poor heart is o’ercast
With sorrow’s consuming blast,
My hero broke it at last,
He loved me truly then.
“‘I remember every vow--
A hero loved me then.
It crowds my memory now,
For he kissed me on the brow,
Then he sweetly told me how
He loved me truly then.’
“Every time she lingered on the words ‘A hero loved me then,’ her eyes
were raised to mine for a moment and I thought I saw an appealing look
in them, and a glance of inquiry. When she came to the last three lines
her voice trembled slightly, and when she fixed her beautiful eyes on me
I saw that they were moist, though no tears fell from them. She repeated
the last three lines in a low, plaintive tone.
“For a few seconds after the last sweet sound had ceased not a word was
spoken. Lottie declined to sing any more, notwithstanding she was urged
to do so by the entire audience, but she rose from the piano and made
her way to me, and running her arm under mine, said:
“‘Come, Eddie, take me out where we can get a little fresh air--I am
smothering in here.’
“The proposition suited me admirably, for I was anxious to be alone with
her, and went out on the portico and began to walk up and down the
floor, while Lottie leaned on my arm, with her face turned up toward
mine. I was too happy to talk; my heart thrilled with delight, and I
remained silent. After making a few rounds on the portico without
speaking, we took seats on a low wooden bench, where a thick cluster of
honeysuckle vines formed a canopy that would conceal us from the prying
eyes of Mr. Heartsell and two other young men who were apparently
watching us.
“‘Now, Edward,’ said Lottie, ‘I want you to tell me what is the matter
with you? Come now, don’t try to deceive me, for you know you cannot do
it. I have not seen you smile to-night. You don’t look or act as you did
in the happy days of old. You were always cheerful and pleasant then,
but you look pale and serious now.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account