France -- History -- Revolution, 1789-1799 -- Fiction; Napoleon I, Emperor of the French, 1769-1821 -- Fiction
Garat rose on the tips of his toes to discover the author of this joke
at his expense. He was strong on minims, a matchless singer, and,
furthermore, one of the most perfect incroyables that the witty pencil
of Horace Vernet has bequeathed to us. He was a nephew of the
Conventional Garat, who wept as he read Louis XVI.'s sentence of death.
Son of a distinguished lawyer, his father wished to make a lawyer of
him, but nature and education produced a singer; for the former had
endowed him with one of the most beautiful voices the world has ever
heard.
An Italian named Lamberti, together with François Beck, the director of
the theatre at Bordeaux, gave him music lessons; which inspired him with
such a passion for music that when he was sent to Paris to take a course
in law he took a course in singing instead. When his father heard of
this he stopped his allowance. The Comte d'Artois then appointed him his
private secretary, and had him sing before Marie-Antoinette, who
immediately admitted him to her private concerts.
Garat thus became completely estranged from his father, for nothing will
estrange father and son quicker than the withdrawal of the latter's
allowance. The Comte d'Artois intending to visit Bordeaux, he suggested
that Garat accompany him. The latter hesitated at first, but the desire
to let his father see him in his new position induced him to go. At
Bordeaux he found his old master Beck in penury, and he arranged a
concert for his benefit. Curiosity to hear a man from their own
department, who had already attained fame as a singer, prevailed, and
the people of Bordeaux flocked to hear him. The receipts were enormous,
and Garat's success was so great that his father, who was present, left
his place and threw himself in his son's arms. In consequence of this
amend, _coram populo_, Garat forgave him.
Garat remained an amateur until the beginning of the Revolution; but the
loss of his fortune compelled him to become a professional artist. In
1793 he started for England, but the vessel in which he sailed, driven
by contrary winds, landed him at Hamburg instead. Seven or eight
concerts, which were attended with great success, enabled him to return
to France with a thousand louis, which were each worth seven or eight
hundred francs in paper money. Upon his return he met Madame Krüdener,
and became intimate with her.
Public-domain text, read in full here on John Shaqi.
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