France -- History -- Revolution, 1789-1799 -- Fiction; Napoleon I, Emperor of the French, 1769-1821 -- Fiction
At every few steps he met a drummer beating a mournful recall or general
on his relaxed drum, the lugubrious and sinister sound of his mournful
performance being better suited to a funeral procession than to their
actual purpose. Furthermore, men were seen gliding through the streets
like shadows, knocking at doors, and calling upon other men to arm and
repair to the Sections to defend their wives and children, whose throats
the Terrorists had sworn to cut. Perhaps these attempts would have been
less successful in broad daylight; but the mystery which clings to deeds
of the night, entreaties in low tones, as if in fear lest assassins
should overhear the whispered communication, the mournful and incessant
beating of the drums and the ringing of the bells--all this caused
anxiety and trepidation throughout the city, and foretold something
indefinite but terrible that was impending.
Barras saw and heard all that. He was no longer judging of the city from
mere reports; he was feeling its pulse with his own finger. Thus when he
left the Rue Neuve-des-Petits-Champs, he hastened his steps almost to a
run as he fled across the Place des Victoires; then gliding along the
Rue Fosses-Montmartre, keeping in the shadow of the houses, he finally
reached the door of the little hotel of "The Rights of Man." Having gone
thus far, he stopped and took a few steps backward, in order to read the
sign which he sought by the fitful light of the lamp; after which,
approaching the door, he rapped vigorously with the knocker.
A man-servant was in attendance, and he, probably judging from the
vigorous knocking that some one of importance was without, did not keep
him waiting long. The door opened cautiously.
Barras slipped through the opening and shut the door behind him. Then,
without waiting to enlighten the servant as to the cause of all these
precautions, he asked: "Citizen Bonaparte lodges here, does he not?"
"Yes, citizen."
"Is he at home?"
"He returned about an hour ago."
"Where is his room?"
"No. 47, on the fourth floor at the end of the corridor."
"Right or left?"
"Left."
"Thanks."
Barras hastened up the stairs, soon reaching the top of the four
flights, took the corridor to the left, and stopped before the door of
No. 47. Once there, he knocked three times.
"Come in," said a curt voice, which seemed made to command.
Barras turned the handle and entered. He found himself in a room
furnished with a curtainless bed, two tables, one large and the other
small, four chairs and a globe. A sword and a pair of pistols hung on
the wall. A young man, completely dressed, except for his uniform, was
seated at the smaller of the two tables, studying a plan of Paris by the
light of the lamp.
At the sound of the opening door, the occupant of the room turned
half-way around in his chair to see who the unexpected visitor, who came
at such an hour, could be. As he sat thus the lamp lighted
three-quarters of his face, leaving the rest in shade.
Public-domain text, read in full here on John Shaqi.
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