France -- History -- Revolution, 1789-1799 -- Fiction; Napoleon I, Emperor of the French, 1769-1821 -- Fiction
It was not to be wondered at that the Thermidorean reaction, suppressed
in the first capital of France, had taken up its abode in the second,
with branches at Marseilles and Besançon. What Lyons suffered after the
revolt is well known. The guillotine was too slow, and Collot d'Herbois
and Fouché supplemented it with grape and canister. There were few
families at that time, belonging either to the rich commercial classes
or the nobility, who had not lost one or more of its members. The time
had now come to avenge the lost father, brother or son; and they were
avenged openly, publicly, in broad daylight. "You caused the death of my
father, my son, or my brother," they would say to the informer, and then
they would immediately strike him down.
"Speculation in regard to murder," says Nodier, "was largely indulged in
among the upper classes. There, secrets of murder were recounted in the
salons which would have terrified the galleys. Men played _Charlemagne_
with death for the stakes, without even taking the trouble to lower
their voices when they discussed their plans of killing. The women,
sweet alleviators of all the passions of men, took part in these
dreadful discussions of death. Since horrible hags no longer wore
guillotines for ear-rings, 'adorable furies,' as Corneille would have
said, wore daggers for breast-pins. If you objected on sentimental
grounds to these frightful excesses, they would take you to the
Brotteaux and make you tread, in spite of yourself, upon the elastic
springy soil, saying: 'Our relatives are there.' What a picture do these
exceptional times present, whose nameless, indefinable character cannot
be expressed by the facts themselves, so inadequate are words to
reproduce the unheard of confusion of ideas, so antipathetic in
themselves, the union of the most refined methods with implacable fury,
the horrifying compact between the doctrines of humanity and deeds
worthy of cannibalism. How can we convey an adequate impression of this
impossible time when prison-cells did not protect the prisoners, when
the executioner, who came in search of his victim, found, to his
astonishment, that he had been preceded by the assassin--this
never-ending 2d of September, renewed every day by respectable young men
who had just left a salon, and who were expected in a boudoir?
Public-domain text, read in full here on John Shaqi.
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