France -- History -- Revolution, 1789-1799 -- Fiction; Napoleon I, Emperor of the French, 1769-1821 -- Fiction
We crave pardon for this long digression which gives a glimpse of one of
the most remarkable men of the Revolution. This glance, thrown upon his
private life, will aid us to judge and understand, perhaps more
impartially than has been done in the past, the man who is to be one of
the most important characters in this story.
CHAPTER XVIII
CHARLES'S RECEPTION
It was to this man, destined, unless the fates interfered, to a
remarkable future, that Charles carried a letter of introduction. It was
therefore with almost greater emotion than he had felt in approaching
Schneider and Saint-Just that the boy entered the large but
unpretentious house where Pichegru had made his headquarters.
The sentinel, standing at the entrance to the corridor, told him that
Pichegru was in his cabinet, the third door to the right.
Charles entered the corridor with a firm step that gradually grew slower
and less noisy as he approached the door that had been pointed out to
him.
When he reached the threshold of the half-open door, he could see the
general, leaning with both hands on a table, studying a large map of
Germany; so sure was he that he should forthwith carry hostilities
beyond the Rhine.
Pichegru appeared older than he really was, and his figure aided in
the deception; he was above medium height, and he was solidly and
sturdily built. He possessed no other elegance than that of
strength. His chest was broad, although he stooped slightly. His
vast shoulders, from which rose a short, full, vigorous neck, gave
him something of the appearance of an athlete, like Milo, or a
gladiator, like Spartacus. His face had the square contour peculiar
to the Francs-Comtois of pure descent. His jawbones were enormous,
and his forehead immense and very prominent about the temples. His
nose was well-formed, and very straight, forming a long ridge from
tip to base. Nothing could have been more gentle than his
expression, unless he had reason to make it imperious or
formidable. Had a great artist wished to express the impassibility
of a demigod on a human face, he might have taken Pichegru's for a
model.
His profound contempt for men and events, concerning which he
never expressed his opinion save with disdainful irony, added
greatly to his character. Pichegru loyally served the social order
which he had found established, because it was his duty; but he
did not and he could not like it. His heart softened only when he
thought of the village where he hoped to pass his old age. "To
fulfil one's task and then to rest," he often said, "is the whole
destiny of man!"[2]
[2] We borrow this portrait from Nodier's study of Pichegru.
Public-domain text, read in full here on John Shaqi.
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