The Whole Family: a Novel by Twelve AuthorsHowells, William Dean
General
The Whole Family: a Novel by Twelve Authors
Howells, William Dean
Domestic fiction
I judge it, for that matter, a proof of our flat “modernity” in this
order that the scant starch holding her together is felt to give her
among us this antique and austere consistency. I don't talk things
over with Lorraine for nothing, and she does keep for me the flashes of
perception we neither of us waste on the others. It's the “antiquity
of the age of crinoline,” she said the other day a propos of a little
carte-de-visite photograph of my ancestress as a young woman of the time
of the War; looking as if she had been violently inflated from below,
but had succeeded in resisting at any cost, and with a strange intensity
of expression, from her waist up. Mother, however, I must say, is as
wonderful about her as about everything else, and arranges herself,
exactly, to appear a mere contemporary illustration (being all the while
three times the true picture) in order that her parent shall have the
importance of the Family Portrait. I don't mean of course that she has
told me so; but she cannot see that if she hasn't that importance Granny
has none other; and it's therefore as if she pretended she had a ruff,
a stomacher, a farthingale and all the rest--grand old angles and
eccentricities and fine absurdities: the hard white face, if necessary,
of one who has seen witches burned.
She hasn't any more than any one else among us a gleam of fine
absurdity: that's a product that seems unable, for the life of it, and
though so indispensable (say) for literary material, to grow here; but,
exquisitely determined she shall have Character lest she perish--while
it's assumed we still need her--Mother makes it up for her, with a turn
of the hand, out of bits left over from her own, far from economically
as her own was originally planned; scraps of spiritual silk and velvet
that no one takes notice of missing. And Granny, as in the dignity of
her legend, imposes, ridiculous old woman, on every one--Granny passes
for one of the finest old figures in the place, while Mother is never
discovered. So is history always written, and so is truth mostly
worshipped. There's indeed one thing, I'll do her the justice to say, as
to which she has a glimmer of vision--as to which she had it a couple of
years ago; I was thoroughly with her in her deprecation of the idea that
Peggy should be sent, to crown her culture, to that horrid co-educative
college from which the poor child returned the other day so
preposterously engaged to be married; and, if she had only been a little
more actively with me we might perhaps between us have done something
about it. But she has a way of deprecating with her long, knobby,
mittened hand over her mouth, and of looking at the same time, in a
mysterious manner, down into one of the angles of the room--it reduces
her protest to a feebleness: she's incapable of seeing in it herself
more than a fraction of what it has for her, and really thinks it would
be wicked and abandoned, would savor of Criticism, which is the cardinal
Public-domain text, read in full here on John Shaqi.
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