The Whole History of Grandfather's Chair: Or, True Stories from New England History, 1620-1808Hawthorne, Nathaniel
History
The Whole History of Grandfather's Chair: Or, True Stories from New England History, 1620-1808
Hawthorne, Nathaniel
Massachusetts -- History -- Colonial period, ca. 1600-1775 -- Juvenile literature
Grandfather here made a pause. That night Charley had a dream about the
Boston massacre, and thought that he himself was in the crowd and struck
down Captain Preston with a great club. Laurence dreamed that he was
sitting in our great chair, at the window of the British Coffee House,
and beheld the whole scene which Grandfather had described. It seemed to
him, in his dream, that, if the townspeople and the soldiers would but
have heard him speak a single word, all the slaughter might have been
averted. But there was such an uproar that it drowned his voice.
The next morning the two boys went together to State Street and stood on
the very spot where the first blood of the Revolution had been shed. The
Old State House was still there, presenting almost the same aspect that
it had worn on that memorable evening, one-and-seventy years ago. It is
the sole remaining witness of the Boston massacre.
CHAPTER VI. A COLLECTION OF PORTRAITS.
THE NEXT evening the astral lamp was lighted earlier than usual,
because Laurence was very much engaged in looking over the collection of
portraits which had been his New-Year’s gift from Grandfather.
Among them he found the features of more than one famous personage who
had been connected with the adventures of our old chair. Grandfather
bade him draw the table nearer to the fireside; and they looked over
the portraits together, while Clara and Charley likewise lent their
attention. As for little Alice, she sat in Grandfather’s lap, and seemed
to see the very men alive whose faces were there represented.
Turning over the volume, Laurence came to the portrait of a stern,
grim-looking man, in plain attire, of much more modern fashion than that
of the old Puritans. But the face might well have befitted one of those
iron-hearted men. Beneath the portrait was the name of Samuel Adams.
“He was a man of great note in all the doings that brought about the
Revolution,” said Grandfather. “His character was such, that it seemed
as if one of the ancient Puritans had been sent back to earth to
animate the people’s hearts with the same abhorrence of tyranny that
had distinguished the earliest settlers. He was as religious as they, as
stern and inflexible, and as deeply imbued with democratic principles.
He, better than any one else, may be taken as a representative of the
people of New England, and of the spirit with which they engaged in the
Revolutionary struggle. He was a poor man, and earned his bread by
a humble occupation; but with his tongue and pen he made the King of
England tremble on his throne. Remember him, my children, as one of the
strong men of our country.”
“Here is one whose looks show a very different character,” observed
Laurence, turning to the portrait of John Hancock. “I should think, by
his splendid dress and courtly aspect, that he was one of the king’s
friends.”
Public-domain text, read in full here on John Shaqi.
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