The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
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The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
“But I have a rather high instep and the sole of my foot is arched,”
protested M. Bergeret. “Be sure you remember that.”
M. Bergeret was by no means vain of his foot, but it had so happened
one day that in his reading he came upon a passage describing how
M. de Lamartine once showed his bare foot with pride, that its high
curve, which rested on the ground like the arch of a bridge, might be
admired. This story made M. Bergeret feel that he was quite justified
in deriving pleasure from the fact that he was not flat-footed. Now,
sinking into a wicker chair decorated with an old square of Aubusson
carpet, he looked at the cobbler and his booth. On the wall, which
was whitewashed and covered with deep cracks, a sprig of box had been
placed behind the arms of a black, wooden cross. A little copper figure
of Christ nailed to this cross inclined its head over the cobbler,
who sat glued to his stool behind the counter, which was heaped with
pieces of cut leather and with the wooden models which all bore leather
shields to mark the places where the feet that the models represented
were afflicted with painful excrescences. A small cast-iron stove was
heated white-hot and a strong smell of leather and cookery combined was
perceptible.
“I am glad,” said M. Bergeret, “to see that you have as much work as
you can wish for.”
In answer to this remark, the man began to give vent to a string of
vague, rambling complaints which yet had an element of truth in them.
Things were not as they used to be in days gone by. Nowadays, nobody
could stand out against factory competition. Customers just bought
ready-made shoes, in stores exactly like the Paris ones.
“My customers die, too,” added he. “I have just lost the curé, M. Rieu.
There is nothing left but the re-soling business and there isn’t much
profit in that.”
The sight of this ancient cobbler groaning under his own little
crucifix filled M. Bergeret with sadness. He asked, rather hesitatingly:
“Your son must be quite twenty by now. What has become of him?”
“Firmin? I expect you know,” said the man, “that he left the seminary
because he had no vocation. But the gentlemen there were kind enough to
interest themselves in him, after they had expelled him. Abbé Lantaigne
found a place for him as tutor at a Marquis’s house in Poitou. But
Firmin refused it just out of spite. He is in Paris now, teaching at an
institution in the Rue Saint-Jacques, but he doesn’t earn much.” And
the cobbler added sadly:
“What I want....”
He stopped and then began again.
“I have been a widower for twelve years. What I want is a wife, because
it needs a woman to manage a house.”
Relapsing into silence, he drove three nails into the leather of the
sole and added:
“Only I must have a steady woman.”
He returned to his task. Then suddenly raising his worn and sorrowful
face towards the foggy sky, he muttered:
“And besides, it is so sad to be alone!”
Public-domain text, read in full here on John Shaqi.
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