The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
General
The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
Madame Bergeret was admirably calculated to live on good terms with a
mate whom she could betray and brow-beat in the calm assurance of her
power and by the natural working of her vigorous physique. Having no
inner life of her own and being exuberantly healthy of body, she was
a gregarious creature, and when M. Bergeret was suddenly withdrawn
from her life, she missed him as a good wife misses an absent husband.
Moreover, this meagre little man, whom she had always considered
insignificant and unimportant, but not troublesome, now filled her
with dread. By treating her as an absolute nonentity, M. Bergeret made
her really feel that she no longer existed. She seemed to herself
enveloped in nothingness. At this new, unknown, nameless state, akin
to solitude and death, she sank into melancholy and terror. At night,
her anguish became cruel, for she was sensitive to nature and subject
to the influence of time and space. Alone in her bed, she used to
gaze in horror at the wicker-work woman on which she had draped her
dresses for so many years and which, in the days of her pride and
light-heartedness, used to stand in M. Bergeret’s study, proudly
upright, all body and no head. Now, bandy-legged and mutilated, it
leant wearily against the glass-fronted wardrobe, in the shadow of
the curtain of purple rep. Lenfant the cooper had found it in his
yard amongst the tubs of water with their floating corks, and when he
brought it to Madame Bergeret, she dared not set it up again in the
study, but had carried it instead into the conjugal chamber where,
wounded, drooping, and struck by emblematic wrath, it now stood like a
symbol that represented notions of black magic to her mind.
She suffered cruelly. When she awoke one morning a melancholy ray
of pale sunlight was shining between the folds of the curtain on
the mutilated wicker dummy and, as she lay watching it, she melted
with self-pity at the thought of her own innocence and M. Bergeret’s
cruelty. She felt instinct with rebellion. It was intolerable, she
thought, that Amélie Pouilly should suffer by the act of a Bergeret.
She mentally communed with the soul of her father and so strengthened
herself in the idea that M. Bergeret was too paltry a man to make her
unhappy. This sense of pride gave her relief and supplied her with
confidence to bedeck herself, buoying her mind with the assurance that
she had not been humiliated and that everything was as it always had
been.
It was Madame Leterrier’s At Home day, and Madame Bergeret set out,
therefore, to call on the rector’s highly respected wife. In the blue
drawing-room she found her hostess sitting with Madame Compagnon, the
wife of the mathematical professor, and after the first greetings were
over, she heaved a deep sigh. It was a provocative sigh, rather than a
down-trodden one, and while the two university ladies were still giving
ear to it, Madame Bergeret added:
Public-domain text, read in full here on John Shaqi.
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