The Wicker Work Woman: A Chronicle of Our Own TimesFrance, Anatole
General
The Wicker Work Woman: A Chronicle of Our Own Times
France, Anatole
French fiction -- Translations into English
put an end to him.
“For six o’clock to-morrow. I heard it from Surcouf himself,” added M.
de Terremondre. “They’ve got the guillotine at the station.”
“That’s a good thing,” said Dr. Fornerol. “For three nights the crowd
has been congregating at the cross-roads of les Évées and there have
been several accidents. Julien’s son fell from a tree on his head and
cracked his skull. I’m afraid it’s impossible to save him.
“As for the condemned,” continued the doctor, “nobody, not even the
President of the Republic, could prolong his life. For this young lad
who was vigorous and sound up to the time of his arrest is now in the
last stage of consumption.”
“Have you seen him in his cell, then?” asked Paillot.
“Several times,” answered Dr. Fornerol, “and I have even attended him
professionally at Ossian Colot’s request, for he is always deeply
interested in the moral and physical well-being of his boarders.”
“He’s a real philanthropist,” answered M. de Terremondre. “And the
fact ought to be recognised that, in its way, our municipal prison is
an admirable institution, with its clean, white cells, all radiating
from a central watch-tower, and so skilfully arranged that all the
occupants are constantly under observation without being aware of the
fact. Nothing can be said against it, it is complete and modern and
all on the newest lines. Last year, when I was on a walking tour in
Morocco, I saw at Tangier, in a courtyard shaded by a mulberry tree,
a wretched building of mud and plaster, with a huge negro dressed in
rags lying asleep in front of it. Being a soldier, he was armed with a
cudgel. Swarthy hands clasping wicker baskets were projecting from the
narrow windows of the building. These belonged to the prisoners, who
were offering the passers-by the products of their lazy efforts, in
exchange for a copper or two. Their guttural voices whined out prayers
and complaints, which were harshly punctuated at intervals by curses
and furious shouts. For they were all shut up together in a vast hall
and spent the time in quarrelling with one another about the apertures,
through which they all wanted to pass their baskets. Whenever a dispute
was too noisy, the black soldier would wake up and force both baskets
and suppliant hands back within the walls by a vigorous onslaught of
his cudgel. In a few seconds, however, more hands would appear, all
sunburnt and tattooed in blue like the first ones. I had the curiosity
to peep into the prison hall through the chinks in an old wooden door.
I could see in the dim-lit, shadowy place a horde of tatterdemalions
scattered over the damp ground, bronzed bodies sleeping on piles of red
rags, solemn faces with long venerable beards beneath their turbans,
nimble blackamoors weaving baskets with shouts of laughter. On swollen
limbs here and there could be seen soiled linen bandages barely hiding
sores and ulcers, and one could see and hear the vermin wave and rustle
in all directions. Sometimes a laugh passed round the room.
Public-domain text, read in full here on John Shaqi.
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