The Wide World Magazine, Vol. 22, No. 131, February, 1909Various
History
The Wide World Magazine, Vol. 22, No. 131, February, 1909
Various
Adventure stories -- Periodicals; English periodicals; History, Modern -- 20th century -- Periodicals; Voyages and travels -- Periodicals
What souvenirs, you ask, can one carry away from this strange country,
where the reindeer rules supreme, and which, without the presence of
that useful animal, would sink into a condition of abject poverty and
utter desolation? Appropriately enough, there is nothing but carved
reindeer bones. Some are carved in so extraordinarily realistic and
expert a fashion that more than one eminent sculptor to whom I have
shown them has lifted his hands in admiration.
[Illustration: LAPP ARTISTS AT WORK CARVING REINDEER BONES.
_From a Photograph._]
Like all true artists worthy the name--like the Japanese, for
instance--the Laplander will only reproduce what he sees. Consequently,
in nine cases out of ten his carved reindeer bones show only
reindeer--reindeer at rest, reindeer jumping, reindeer harnessed
to sledges, and reindeer browsing. The thing becomes an absolute
obsession. And what realism is displayed by these unconscious artists!
What long hours of patient observation are implied by the life-like
attitudes they depict, and which might almost have been photographed,
so true are they to Nature! One gets the impression, watching the Lapp
carver at work, that one is in the presence of an artisan of a bygone
age, before rules had been laid down and become stereotyped--an age
when each individual worker was guided by his personal inspiration
alone.
After all, then, in this strange country, where there is supposed to
be “nothing but reindeer,” one may still find among these half-savage
people financiers--like Mickel Nilsson Nia--poets, and artists--types
which certainly go to show that the Lapps possess some of the
attributes of a civilized nation. Music alone is unknown in Lapland,
and this may be because the Lapp, with his boundless pride of race,
considers he has no need of its chastening and refining influence.
[Illustration: BUYING SOUVENIRS--STRIKING A BARGAIN WITH THE CURIO
PEDLARS IS A LONG AND COMPLICATED BUSINESS.
_From a Photograph._]
“TAPU.”
BY D. W. O. FAGAN, OF MANGAPAI, WHANGAREI, AUCKLAND, NEW
ZEALAND.
The author writes: “I can vouch for this story in every
particular. I hope it may prove interesting to ’Wide World’
readers, as illustrating the endless ramifications of the old
Maori law of ‘tapu,’ and the absurd predicaments in which
Europeans coming under its influence occasionally found
themselves.”
In the old days of thirty-five years ago, especially in the
out-districts, the Maoris still retained many of their ancient customs.
Among other inconvenient practices they had an insane habit of
depositing the bones of the dead in any kind of handy spot that took
their fancy--on the top of an island, in a hollow tree, in the crevices
of rocks--anywhere that was most convenient.
Public-domain text, read in full here on John Shaqi.
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