The Widow Barnaby. Vol. 2 (of 3)Trollope, Frances Milton
General
The Widow Barnaby. Vol. 2 (of 3)
Trollope, Frances Milton
England -- Social life and customs -- 19th century -- Fiction; Social classes -- England -- Fiction; Widows -- Fiction
As soon as her spirits had recovered the double shock they had received
from the perfidies of Betty Jacks and Major Allen, she remembered with
great satisfaction the discovery made of Agnes's singing powers. Though
more than eighteen years had passed since her musical father and mother
had warbled together for the delight of the Silverton _soirées_, Mrs.
Barnaby had not forgotten the applause their performances used to
elicit, nor the repeated assurances of the best informed among their
auditors, that the voices of both were of very first-rate quality. The
belief that Agnes inherited their powers, now suggested more than one
project. In the first place, it would make the parties she was
determined to give extremely attractive, and might very probably be
sufficient to render her at once the fashion, either at Cheltenham,
which she intended should be the scene of her next campaign, or
anywhere else where it was her will and pleasure to display it. Nor was
this ornamental service the only one to which she thought it possible
she might convert the voice of Agnes. She knew that the exploits she
contemplated were hazardous, as well as splendid; and that, although
success was probable, failure might be possible, in which case she might
fall back upon this newly-discovered treasure, and either marry her
niece, or put her on the stage, or make her a singing mistress, as she
should find most feasible and convenient.
With these notions in her head, she attacked Agnes on the singular
concealment of her talent, as well as upon other matters, during
breakfast the morning after the unlamented Major's departure, which was
in fact the first time they had been alone together, Agnes having passed
the whole of the preceding day at Rodney Place.
In answer to her niece's gentle salutation, she said in a tone very far
from amiable, though it affected to be so,----
"Yes, yes, good morning, aunt!... that's all very well; ... and now,
please to tell me where I shall find another young lady living with a
generous relation to whom she owes her daily bread, who, knowing that
relation's anxiety about everything concerning her, has chosen to make a
secret of the only thing on earth she can do.... Tell me, if you can,
where I shall find anything like that?"
"If you mean my singing, aunt, I have told you already why I never said
anything about it.... My only reason was, because I did not like to ask
you for a piano."
Public-domain text, read in full here on John Shaqi.
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