One may doubt whether this extensive change from a humorous conservatism to a primitive and dangerous romanticism is to be ascribed entirely to the personal charm, great as it no doubt was, of Lady Harman; rather did her tall soft dark presence come to release a long accumulating store of discontent and unrest beneath the polished surfaces of Mr. Brumley’s mind. Things had been stirring in him for some time; the latter Euphemia books had lacked much of the freshness of their precursors and he had found it increasingly hard, he knew not why, to keep up the lightness, the geniality, the friendly badinage of successful and accepted things, the sunny disregard of the grim and unamiable aspects of existence, that were the essential merits of that Optimistic Period of our literature in which Mr. Brumley had begun his career. With every justification in the world Mr. Brumley had set out to be an optimist, even in the _Granta_ his work had been distinguished by its gay yet steadfast superficiality, and his early success, his rapid popularity, had done much to turn this early disposition into a professional attitude. He had determined that for all his life he would write for comfortable untroubled people in the character of a light-spirited, comfortable, untroubled person, and that each year should have its book of connubial humour, its travel in picturesque places, its fun and its sunshine, like roses budding in succession on a stem. He did his utmost to conceal from himself the melancholy realization that the third and the fourth roses were far less wonderful than the first and the second, and that by continuing the descending series a rose might be attained at last that was almost unattractive, but he was already beginning to suspect that he was getting less animated and a little irritable when Euphemia very gently and gracefully but very firmly and rather enigmatically died, and after an interval of tender and tenderly expressed regrets he found himself, in spite of the most strenuous efforts to keep bright and kindly and optimistic in the best style, dull and getting duller—he could disguise the thing no longer. And he weighed more. Six—eight—eleven pounds more. He took a flat in London, dined and lunched out lightly but frequently, sought the sympathetic friendship of several charming ladies, and involved himself deeply in the affairs of the Academic Committee. Indeed he made a quite valiant struggle to feel that optimism was just where it always had been and everything all right and very bright with him and with the world about him. He did not go under without a struggle. But as Max Beerbohm’s caricature—the 1908 one I mean—brought out all too plainly, there was in his very animation, something of the alert liveliness of the hunted man. Do what he would he had a terrible irrational feeling that things, as yet scarce imagined things, were after him and would have him. Even as he makes his point, even as he