For a time this dream of an impossible secrecy was uppermost in Mr. Brumley’s meditations. It came into his head with the effect of a discovery that always among the unclimbable barriers of this supreme institution there had been,—caves. He had been reading Anatole France recently and the lady of _Le Lys Rouge_ came into his thoughts. There was something in common between Lady Harman and the Countess Martin, they were tall and dark and dignified, and Lady Harman was one of those rare women who could have carried the magnificent name of Thérèse. And there in the setting of Paris and Florence was a whole microcosm of love, real but illicit, carried out as it were secretly and tactfully, beneath the great shadow of the cliff. But he found it difficult to imagine Lady Harman in that. Or Sir Isaac playing Count Martin’s part.... How different were those Frenchwomen, with their afternoons vacant except for love, their detachment, their lovers, those secret, convenient, romantically furnished flats, that compact explicit business of _l’amour_! He had indeed some moments of regret that Lady Harman wouldn’t go into that picture. She was different—if only in her simplicity. There was something about these others that put them whole worlds apart from her, who was held so tethered from all furtive adventure by her filmy tentacles of responsibility, her ties and strands of relationship, her essential delicacy. That momentary vision of Ellen as the Countess Martin broke up into absurdities directly he looked at it fully and steadfastly. From thinking of the two women as similar types he passed into thinking of them as opposites; Thérèse, hard, clear, sensuous, secretive, trained by a brilliant tradition in the technique of connubial betrayal, was the very antithesis of Ellen’s vague but invincible veracity and openness. Not for nothing had Anatole France made his heroine the daughter of a grasping financial adventurer.... Of course the cave is a part of the mountain.... His mind drifted away to still more general speculations, and always he was trying not to see the figure of Sir Isaac, grimly and yet meanly resolute—in possession. Always too like some open-mouthed yokel at a fair who knows nothing of the insult chalked upon his back, he disregarded how he himself coveted and desired and would if he could have gripped. He forgot his own watchful attention to Euphemia in the past, nor did he think what he might have been if Lady Harman had been his wife. It needed the chill veracities of the small hours to bring him to that. He thought now of crude egotism as having Sir Isaac’s hands and Sir Isaac’s eyes and Sir Isaac’s position. He forgot any egotism he himself was betraying. All the paths of enlightenment he thought of, led to Lady Harman. §9