The Wild Huntress: Love in the WildernessReid, Mayne
General
The Wild Huntress: Love in the Wilderness
Reid, Mayne
Latter Day Saint pioneers -- Fiction; Ute Indians -- Fiction
I perceived that the bighorn had ceased to live; and the report of a
gun--that rang through the gorge, and was still reverberating from the
cliffs--told the cause of his death. Some hunter, stalking on the other
side, had taken the start, of me! White or red? Which fired the shot?
If an Indian, my head would be in as much danger of losing its skin as
the sheep. If a white man, I might still hope for a breakfast of
broiled mutton. Even a churl might be expected to share with a starving
man; but it was not the quarter in which to encounter a Christian of
that kidney. It was the crack of a rifle. The red man rarely hunts
with the rifle. The arrow is his favourite weapon for game.
Notwithstanding the remoteness from civilisation, the probabilities were
that the hunter was white. He might be one of those attached to the
caravan; or, more likely, a _free_ trapper. I knew that upon several
head tributaries of the Arkansas there were settlements of these
singular men.
From prudential considerations, I kept my place. Screened by the
cotton-woods, I should have an opportunity of deciding the point,
without my presence being suspected. If the hunter should prove to be
an Indian, I could still retreat to my horse without being observed. I
had not long to wait. I heard a noise, as of some one making way
through the bushes. The moment after, a huge wolf-like animal rushed
round the projecting angle of the cliff, and sprang upon the carcase of
the bighorn. At the same instant a voice reached my ears--"Off there,
Wolf! off, villain dog! Don't you see that the creature is killed--no
thanks to you, sirrah?" Good heavens! it was the voice of a woman!
While I was yet quivering under the surprise produced by the silvery
tones, the speaker appeared before my eyes--a girl majestically
beautiful. A face smooth-skinned, with a tinge of golden-brown--cheeks
of purplish red--a nose slightly aquiline, with nostrils of spiral
curve--eyes like those of the Egyptian antelope--a forehead white and
high, above bounded by a band of shining black hair, and surmounted by a
coronet of scarlet plumes--such was the head that I saw rising above the
green frondage of the cotton-woods! The body was yet hidden behind the
leaves; but the girl just then stepped from out the bushes, and her
whole form was exhibited to my view--equally striking and picturesque.
I need not say that it was of perfect shape--bust, body, and limbs all
symmetrical. A face like that described, could not belong to an
ungainly form. When nature designs beauty, it is rare that she does her
work by halves. Unlike the artists of the anatomic school, she makes
the model for herself--hence the perfect correspondence of its parts.
And perhaps fairer form had nature never conceived. The dullest
sculptor might have been inspired by its contemplation.
Public-domain text, read in full here on John Shaqi.
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