The Wild Huntress: Love in the WildernessReid, Mayne
General
The Wild Huntress: Love in the Wilderness
Reid, Mayne
Latter Day Saint pioneers -- Fiction; Ute Indians -- Fiction
Not a sound came from the forest to disturb my sweet musings. Silent
was the sky of the Indian summer--soft and balm-laden its breeze. The
trees stirred not; the branches seemed extended in the stillness of
repose; even the leaves of the _tremuloides_, hanging on their
compressed petioles, were scarcely seen to quiver. The rustling heard
at intervals, was but the fluttering of bright wings amid the foliage;
or the rushing of some mountebank squirrel in reckless evolution among
the branches--sounds harmonising with the scene. Not till I had entered
the glade was I aroused from my reverie--at first gently, by the sudden
emergence from shade into light; but afterwards in a more sensible
manner on sight of a human form--at a glance recognised as that of the
Indian maiden. She was seated, or rather reclining, against the
blanched log; her brown arm embracing an outstretched limb; half
supported on one leg--the other crossed carelessly over it in an
attitude of repose. Beside her on the log lay a wicker pannier, filled
with odds and ends of Indian manufacture.
Though I had risen close up to the girl, she vouchsafed no
acknowledgment of my presence. I observed no motion--not even of the
eyes; which, directed downwards, seemed fixed in steadfast gaze upon the
ground. Nothing about her appeared to move--save the coruscation of
metallic ornaments that glittered in the sun, as though her body were
enveloped in scale-armour. Otherwise, she might have been mistaken for
a statue in bronze. And one, too, of noble proportions. The attitude
was in every way graceful; and displayed to perfection the full bold
contour of the maiden's form. Her well-rounded arm entwining the
branch, with her large body and limbs outlined in _alto-relievo_ against
the entablature of the white trunk, presented a picture that a sculptor
would have loved to copy; and that even the inartistic eye could not
look upon without admiration.
Instinctively I checked my horse, and halted in front of this singular
apparition. I can scarcely tell why I did so; since neither by look nor
gesture was I invited to take such a liberty. On the contrary, I could
perceive that my movement was regarded with displeasure. There was no
change in the statuesque attitude: even the eyes were not raised from
the earth; but a frown was distinctly traceable on the features of the
girl. Thus repulsed, I should have ridden on; and would have done so,
but for that sense of awkwardness, which one feels in similar
situations. By pausing in the marked manner I had done, and gazing so
pointedly at the girl, I had committed an act of ill-breeding--of which
I now felt sensible. Indian though she was, she was evidently no common
_squaw_; but gifted with certain noble traits, of which many a maiden
with white skin might have envied her the possession. Beyond that, I
knew she was the victim of a passion--all-absorbing as it was hopeless--
and this in my eyes, ennobled and sanctified her.
Public-domain text, read in full here on John Shaqi.
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