The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
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The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
“Here is a curious anecdote that evinces it,” returned the priest--“It
is many years since I read it in a black-letter memoir of St. Patrick.
The Saint, says the biographer, attended by three bishops, and some less
dignified of his brethren, being in this very province, arose early one
morning, and with his pious associates, placed himself near a fountain
or well, and began to chant a hymn. In the neighbourhood of this
honoured fountain stood the palace of _Cruachan_, where the two
daughters of the Emperor Laogare were educating in retirement; and as
the saints sung by no means _sotto voce_, * their pious strains caught
the attention of the royal fair ones, who were enjoying an early ramble,
and who immediately sought the sanctified choristers. Full of that
curiosity so natural to the youthful recluses, they were by no means
sparing of interrogations to the Saint, and among other questions
demanded, ‘and who is your God? Where dwells he, in heaven or on the
earth, or beneath the earth, or in the mountain, or in the valley, or
the sea, or the stream?’--And indeed, even to this day, we have Irish
for a river god, which we call _Divona_.--You perceive, therefore, that
our ancient religion was by no means an unpoetical one.”
* A musical voice was an indispensable quality in an Irish
Saint, and “lungs of leather” no trivial requisite towards
obtaining canonization. St. Columbkill, we are told, sung so
loud, that, according to an old Irish poem, called “Amhra
Chioluim chille,” or The Vision of Columbkill, “His hallow’d
voice beyond a mile was heard.”
While we spoke, we observed a figure emerging from a coppice towards a
small well, which issued beneath the roots of a blasted oak. The priest
motioned us to stop, and be silent--the figure (which was that of an
ancient female wrapped in a long cloak,) approached, and having drank
of the well out of a little cup, she went three times round it on her
knees, praying with great fervency over her beads; then rising after
this painful ceremony, she tore a small part of her under garb, and hung
it on the branch of the tree which shaded the well.
“This ceremony, I perceive,” said the priest, “surprises you; but you
have now witnessed the remains of one of our ancient superstitions. The
ancient Irish, like the Greeks, were religiously attached to the
consecrated fountain, the _Vel expiatoria_; and our early missionaries,
discovering the fondness of the natives for these sanctified springs,
artfully diverted the course of their superstitious faith, and dedicated
them to Christian saints.”
“There is really,” said I, “something truly classic in this spot; and
here is this little shrine of Christian superstition hung with the same
votive gifts as Pausanius informs us obscured the statue of Hygeia in
Secyonia.”
Public-domain text, read in full here on John Shaqi.
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