The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
receive but little tribute.” *
* Belfast cannot be deemed the metropolis of Ulster, but may
almost be said to be the Athens of Ireland. It is at least
the cynosure of the province in which it stands; and those
beams of genius which are there concentrated, send to the
extremest point of the hemisphere in which they shine no
faint ray of lumination.
“Then, in the name of all that is warm and cordial,” said I, “let us
hasten back to the province of Connaught.”
“That you may be sure we shall,” returned Father John: “for I know none
of these sons of trade; and until we once more find ourselves within
the pale of Milesian hospitality, we must put up at a sorry inn, near a
tract of the sea-coast, called the Magilligans, and where one _solitary
fane_ is raised to the once tutelar deity of Ireland; in plain English,
where one of the last of the race of _Irish bards_ shelters his white
head beneath the fractured roof of a wretched hut. Although the evening
sun was setting on the western wave when we reached the auberge, yet,
while our fried eggs and bacon were preparing, I proposed to the priest
that we should visit the old bard before we put up our horses. Father
John readily consented, and we enquired his address.
“What, the _mon wi the twa heads?_” said our host. I confessed my
ignorance of this hydra epithet, which I learned was derived from an
immense wen on the back of his head.
“Oh!” continued our host, “A wull be telling you weel to gang tull the
auld Kearn, and one o’ our wains wull show ye the road. Ye need nae fear
trusting yoursels to our wee Wully, for he is an uncommon canie chiel.”
Such was the dialect of this Hibernian Scot, who assured me he had never
been twenty miles from his “aine wee hame.”
We, however, dispensed with the guidance of _wee Wully_, and easily
found our way to the hut of the man “_wi the twa heads_.” It stood on
the right hand by the road side. We entered it without ceremony, and as
it is usual for strangers to visit this last of the “Sons of Song,” his
family betrayed no signs of surprise at our appearance. His ancient dame
announced us to her husband When we entered he was in bed; and when he
arose to receive us (for he was dressed, and appeared only to have lain
down from debility,) we perceived that his harp had been the companion
of his repose, and was actually laid under the bed-clothes with him. We
found the venerable bard cheerful * and communicative, and he seemed
to enter even with an eager readiness on the circumstances of his past
life, while his “soul seemed heightened by the song,” with which
at intervals he interrupted his narrative. How strongly did those
exquisitely beautiful lines of Ossian rush on my recollection: “But age
is now on my tongue, and my mind has failed me; the sons of song are
gone to rest; my voice remains like a blast that roars loudly on a
sea-surrounded rock after the winds are laid, and the distant mariner
sees the waving trees.”
Public-domain text, read in full here on John Shaqi.
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