The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
“Not altogether,” returned the priest. “It was in some respects a
necessary policy. For, strange to say, nearly the third part of Ireland
had adopted a profession at once so revered, and privileged, so honoured
and so caressed by all ranks of the state. Indeed, about this period,
such was the influence they had obtained in the kingdom, that the
inhabitants without distinction were obliged to receive and maintain
them from November till May, if it were the pleasure of the bard to
become their guest; nor were there any object on which their daring
wishes rested that was not instantly put into their possession. And such
was the ambition of one of their order, that he made a demand on the
golden broach or clasp that braced the regal robe on the breast of
royalty itself, which was unalienable with the crown, and descended with
the empire from generation to generation.”
“Good God!” said I, “what an idea does this give of the omnipotence of
music and poetry among those refined enthusiasts, who have ever
borne with such impatience the oppressive chain of power, yet suffer
themselves to be soothed into slavery by the melting strains of the
national lyre.”
“It is certain,” replied the priest, “that no nation, not even the
Greeks, were ever attached with more passionate enthusiasm to the divine
arts of poesy and song, than the ancient Irish, until their fatal and
boundless indulgence to their professors became a source of inquietude
and oppression to the whole state. The celebrated St. Columkill, who was
himself a poet, became a mediator between the monarch, already mentioned
and the ‘_tuneful throng_;’ and by his intercession, the king changed
his first intention of banishing the whole college of bards, to
limiting their numbers; for it was an argument of the liberal saint that
it became a great monarch to patronize the arts; to retain about his
person an eminent bard and antiquary; and to allow to his tributary
princes or chieftains, a poet capable of singing their exploits, and of
registering the genealogy of their illustrious families. This liberal
and necessary plan of reformation, suggested by the saint, was adopted
by the monarch; and these salutary regulations became the prominent
standard for many succeeding ages: and though the severity of those
regulations against the bards, enforced in the tyrannic reign of Henry
VIII, as proposed by Baron Finglas, considerably lessened their power;
* yet until the reign of Elizabeth their characters were not stripped of
that sacred _stole_, which the reverential love of their countrymen had
flung over them. The high estimation in which the bard was held in the
commencement of the empire of Ireland’s archenemy is thus attested by
Sir Philip Sidney:
Public-domain text, read in full here on John Shaqi.
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