The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
To retrace the wild fluctuations of those powerful and poignant feelings
which agitated a mind alternately the prey of its wishes and its fears,
now governed by the impetuous impulses of unconquerable love, now by the
sacred ties of filial affection, now sacrificing every consideration to
the dictates of duty, and now forgetting everything in the fond
dreams of passion, would be an endless, an impossible task; when still
vibrating between the sweet felicities of new-born hope, and the gloomy
suggestions of habitual doubt. The weary traveller reached the peninsula
of In-ismore about the same hour that he had done the preceding day. At
the drawbridge he was met by a peasant whom he had known and to whom
he gave his horse. The man, with a countenance full of importance, was
going to address him, but he sprung eagerly forward and was in a moment
immersed in the ruins of the castle; intending to pass through the
chapel as the speediest and most private way, and to make his arrival
first known to Father John, to declare to the good priest his real name
and rank, his passion for Glorvina, and to receive his destiny from her
lips only.
He had scarcely entered the chapel when the private door by which it
communicated with the castle flew open. He screened himself behind a
pillar, from whence he beheld Father John proceeding with a solemn air
towards the altar, followed by the Prince, carried by three servants
in an arm chair, and apparently in the last stage of mortal existence.
Glorvina then appeared wrapt in a long veil and supported on the arm of
a stranger, whose figure and air was lofty and noble, but whose face was
concealed by the recumbent attitude of his head, which drooped towards
that of his apparently feeble companion, as if in the act of addressing
her. This singular procession advanced to the altar; the chair of
the Prince re posed at his feet. The priest stood at the sacred
table--Glorvina and her companion knelt at its steps. The last red beams
of the evening sun shone through a stormy cloud on the votarists all
was awfully silent; a pause solemn and affecting ensued; then the priest
began to celebrate the marriage rites; but the first words had not died
on his lips, when a figure, pale and ghastly, rushed forward, wildly
exclaiming, “Stop, I charge you, stop! you know not what you do! it is a
sacrilege!” and breathless and faint the seeming maniac sunk at the feet
of the bride.
Public-domain text, read in full here on John Shaqi.
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