The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
The elder M. had loved the venerable Prince as a brother and a friend:
the younger as a father. In their common regret for the object of their
mutual affection, heightened by that sadly affecting scene they had just
witnessed, they lost for an interval a sense of that extraordinary and
delicate situation in which they now stood related towards each other;
they hung on either side in a mournful silence over the deceased object
of their friendly affliction; while the concourse of poor peasants, whom
the return of the Prince brought in joyful emotion to the castle, now
crowded into the hall, uttering those vehement exclamations of sorrow
and amazement so consonant to the impassioned energy of their national
character. To still the violence of their emotions, the priest kneeling
at the foot of the bier began a prayer for the soul of the deceased. All
who were present knelt around him: all was awful, solemn, and still.
At that moment Glorvina appeared; she had rushed from the arms of
her attendants; her strength was resistless, for it was the energy of
madness; her senses were fled.
A dead silence ensued; for the emotion of the priest would not suffer
him to proceed. Regardless of the prostrate throng, she glided up the
hall to the bier, and gazing earnestly on her father, smiled sadly,
and waved her hand; then kissing his cheek, she threw her veil over his
face, and putting her finger on her lip, as if to impose silence, softly
exclaimed, “Hush! he does not suffer now! he sleeps! it was I who lulled
him to repose with the song his heart loves!” and then kneeling beside
him, in a voice scarcely human, she breathed out a soul-rending air she
had been accustomed to sing to her father from her earliest infancy.
The silence of compassion, of horror, which breathed around, was alone
interrupted by her song of grief, while no eye save hers was dry.
Abruptly breaking off her plaintive strains, she drew the veil from her
father’s face, and suddenly averting her gaze from his livid features,
it wandered from the Earl of M. to his son; while with a piercing shriek
she exclaimed, “Which of you murdered my father?” then looking tenderly
on the younger M. (whose eyes not less wild than her own had followed
her every motion,) she softly added, “It was not you, my love!” and with
a loud convulsive laugh she fell lifeless into the priest’s arms, who
was the first who had the presence of mind to think of removing the
still lovely maniac. The rival father and his unhappy son withdrew at
the same moment; and when the priest (having disposed of his unfortunate
charge) returned to seek them, he found them both in the same apartment,
but at a considerable distance from each other, both buried in silent
emotion--both labouring under the violence of their respective
feelings. The priest attempted some words expressive of consolation to
the younger M. who seemed most the victim of uncontrollable affliction;
Public-domain text, read in full here on John Shaqi.
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