The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
This impediment, however, shall not stand in the way of _one_ stranger,
who is willing to offer up his national prejudices at the Altar of
Truth, and expiate the crime of an unfounded but habitual antipathy,
by an impartial examination, and an unbiassed inquiry. In short, I have
actually began to study the language; and though I recollect to have
read the opinion of Temple, “that the Celtic dialect used by the native
Irish is the purest and most original language that now remains yet I
never suspected that a language spoken _par routine_, and chiefly by the
lower classes of society, could be acquired upon _principle_, until the
other day, when I observed in the Prince’s truly national library some
philological works, which were shown me by Father John, who has offered
to be my preceptor in this wreck of ancient dialect, and who assures me
he will render me master of it in a short time--provided I study _con
amore_.
“And I will assist you,” said Glorvina.
“We will _all_ assist him,” said the Prince.
“Then I shall study _con amore_ indeed!” returned I.
Behold me then, buried amidst the monuments of past ages!--deep in
the study of the language, history, and antiquities of this
ancient nation--talking of the invasion of Henry II, as a recent
circumstance--of the Phoenician migration hither from Spain, as though
my grandfather had been delegated by Firbalgs to receive the Milesians
on their landing--and of those transactions passed through
“The dark posterns of time long elapsed,”
as though their existence was but freshly registered in the annate of
recollection.
In short, infected by my antiquarian conversation with the Prince, and
having fallen in with some of those monkish histories which, on the
strength of Druidical tradition, trace a series of wise and learned
Irish monarchs before the flood, I am beginning to have as much faith
in antediluvian records as Dr. Parsons himself, who accuses _Adam of_
authorship, or Thomas Bangius, who almost gives _fac similies_ of the
hand-writing of Noah’s progenitors.
Seriously, however, I enter on my new studies with avidity, and read
from the morning’s first dawn till the usual hour of breakfast, which is
become to me as much the banquet of the heart, as the Roman supper was
to the Agustan wits “the feast of reason and the flow of soul,”--for it
is the only meal at which Glorvina presides.
Two hours each day does the kind priest devote to my philological
pursuits, while Glorvina, who is frequently present on these occasions
makes me repeat some short poem or song after her, that I may catch the
pronunciation, (which is almost unattainable,) then translates them into
English, which I word for word write down. Here then is a specimen
of Irish poetry, which is almost always the effusion of some blind
itinerent bard, or some rustic minstrel, into whose breast the genius of
his country has breathed inspiration, as he patiently drove the plough,
or laboriously worked in the bog. *
Public-domain text, read in full here on John Shaqi.
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