The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
* “It should seem.” says Mr. Walker, in his ingenious and
elegant essay on Ancient Irish Dress--“that Ireland teemed
with gold and silver, for as well as in the laws recited, we
find an act ordained 34th, Henry VIII, ‘that merchant
strangers should pay 40 pence custom for every pound of
silver they carried out of Ireland; and Lord Stratford, in
one of his letters from Dublin to his royal master, says,
‘with this I land you an ingot of silver of 300 oz.’”
** Pearls abounded, and still are found in this country and
were of such repute in the 11th century, that a present of
them was sent to the famous Bishop Anselm, by a Bishop of
Limerick.
*** The author is indebted to Mr. Knox, barrister at law,
Dublin, for the sight of some beautiful amethysts, which
belonged to his female ancestors, and which many of the
lapidaries of London, after a diligent search, found it
impossible to match.
“I remember reading in the life of St. Bridget, that the King of
Leinster presented to her father a sword set with precious stones, which
the pious saint, more charitable than honest, devoutly stole, and sold
for the benefit of the poor; but it should seem that the sources of our
national treasures are now shut up like the gold mines of La Valais,
for the public weal, I suppose; for we now hear not of amethysts found,
pearls discovered, or gold mines worked; and it is to the caskets of
my female ancestors that I stand indebted that my dress or hair is not
fastened or adorned like those of my humbler countrywomen, with a wooden
bodkin.”
“That, indeed,” said I, “is a species of ornament I have observed very
prevalent with your fair ‘_paysannes_; and of whatever materials it is
made, when employed in such a happy service as I _now_ behold it, has
an air of simple, useful elegance, which in my opinion constitutes the
great art of female dress.”
“It is at least,” replied she, “the most ancient ornament we know
here--for we are told that the celebrated palace of Emania, * erected
previous to the Christian era, was sketched by the famous Irish Empress
Macha, with the bodkin.
* The resident palace of the Kings of Ulster, of which
Colgan speaks as “rendolens splendorum.”
“I remember a passage from a curious and ancient romance in the Irish
language, that fastened wonderfully upon my imagination when I read it
to my father in my childhood, and which gives to the bodkin a very
early origin:--it ran thus, and is called the ‘_Interview between Fionn
M’Cnmhal and Cannan_.’
Public-domain text, read in full here on John Shaqi.
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