The Wild Irish Girl: A National TaleMorgan, Lady (Sydney)
General
The Wild Irish Girl: A National Tale
Morgan, Lady (Sydney)
British -- Ireland -- Fiction; Celts -- Fiction; Ireland -- Fiction; Love stories; Princesses -- Fiction
* I understand that it is only a few years back, since the
present respectable representatives of the M’Dermot family
opened those windows which the Prince of Coolavin closed up,
upon a principle similar to that by which the Prince of
Inismore was actuated.
This very curious apartment is still called the banquetting hall--where
“Stately the feast, and high the cheer.
Girt with many a valiant peer,”
was once celebrated in all the boundless extravagance and convivial
spirit of ancient Irish hospitality. But it now serves as an armory, a
museum, a cabinet of national antiquities and national curiosities.
In short, it is the receptacle of all those precious relics, which the
Prince has been able to rescue from the wreck of his family splendour.
Here, when he is seated by a blazing hearth in an immense arm-chair,
made, as he assured me, of the famous wood of _Shilelah_, his daughter
by his side, his harper behind him, and his _domestic altar_ not
destitute of that national libation which is no disparagement to
princely taste, since it has received the sanction of imperial
approbation; * his gratified eye wandering over the scattered insignia
of the former prowess of his family; his gratified heart expanding
to the reception of life’s sweetest ties--domestic joys and social
endearments;--he forgets the derangement of his circumstances--he
forgets that he is the ruined possessor of a visionary title; he feels
only that he is a man--and an Irishman! While the transient happiness
that lights up the vehement feelings of his benevolent breast, effuses
its warmth over all who come within its sphere.
* Peter the Great, of Russia was fond of whiskey, and used
to say, “Of all wine, Irish wine is the best.”
Nothing can be more delightful than the evenings passed in this
_vengolf_---this hall of Woden; where my sweet Glorvina hovers round us,
like one of the beautiful _valkyries_ of the Gothic paradise, who bestow
on the spirit of the departed warrior that heaven he eagerly rushes on
death to obtain. Sometimes she accompanies the old bard on her harp,
or with her voice; and frequently as she sits at her wheel (for she is
often engaged in this simple and primitive avocation,) endeavours to
lure, her father to speak on those subjects most interesting to him or
to me; or, joining the general conversation, by the playfulness of
her humour, or the original whimsicality of her sallies, materially
contributes to the “_molle at que facetum!_” of the moment.
On the evening of the day of the picture-scene, the absence of Glorvina
(for she was attending a sick servant) threw a gloom over our little
circle. The Prince, for the first time, dismissed the harper, and taking
me by the arm, walked up and down the hall in silence, while the priest
yawned over a book.
Public-domain text, read in full here on John Shaqi.
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