The Wild IrishmanCrosland, T. W. H. (Thomas William Hodgson)
History
The Wild Irishman
Crosland, T. W. H. (Thomas William Hodgson)
National characteristics, Irish
“Is your father alive yet?” inquired one O’Brien of one M’Gorry. “No,”
replied M’Gorry solemnly, “not yet!” A beggar called at a house and
said: “For the love of hiven, ma’am, give me a crust of bread, for I’m
so thirsty I don’t know where I’ll sleep to-night.” All of which is very
funny and as who should say, very quaint. But is it humor? It provokes
a smile certainly, yet it points to simplicity, rather than subtilty,
in the Irish character. Indeed, the absolute truth about the bull is
that it is the child of a plentiful lack of wit. A nice derangement of
epitaphs, an opening of one’s mouth and a putting of one’s foot in it,
may provoke mirth in other people, but it does not prove one to be either
witty or merry. It is satisfactory to know that, according to the latest
observations, the fine art of bull-making is going out of fashion among
Irishmen. The Irish were the inventors of the bull, they brought it to
its greatest perfection, they made it redound to their credit as a witty
nation; and one cannot deny their right to cease from its manufacture
if they see fit. In the House of Commons a bull is nowadays seldom
perpetrated, whether consciously or unconsciously, at any rate by the
Irish Party. Irish Members of Parliament have grown too wary to be caught
bulling. They walk delicately in English-cut frock-coats; they rather
pride themselves on their ability to keep down the brogue, and at the
bare mention of the word “bull,” they are prone to shiver.
There is one feature of Irish wit and humor which is worthy of admiration
and imitation. It is a negative feature truly, but an excellent one.
Irishmen do not seem capable of that last infirmary of the doting
mind—the pun. To play effectively upon words is, of course, an art in
itself, and kept within bounds it is an amusing art; but the man who
drops out of art into sheer mechanism, which is what has happened to
the average punster, cannot be considered worthy of the respect of his
fellows. The Irish, as I have said, do not appear to have descended
to these depths. They may be a worn-out, a weary, a dull-witted, an
exhausted, and a brooding and melancholy people, but they are not
punsters. Herein they have a distinct advantage over the English,
among whom the pun appears to obtain wider and wider currency. It is a
lamentable fact that there are judges on the English Bench who never let
slip an opportunity for punning. It makes juries and the gallery guffaw,
and it gets a judge the reputation of being a wit and the possessor of
those minor literary graces which are supposed to be included in the
judicial prerogative. Judges are commonly understood to be irremovable,
but I think that after their third pun retirement should be the only
course for them. The man who makes a pun insults the intellect of his
auditors and commits a gross outrage upon the language. Let all punsters,
whether in high or low places, take heed that they are vulgar and
vicious persons, and neither witty nor wise.
Public-domain text, read in full here on John Shaqi.
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