The Wild IrishmanCrosland, T. W. H. (Thomas William Hodgson)
History
The Wild Irishman
Crosland, T. W. H. (Thomas William Hodgson)
National characteristics, Irish
A thousand honest bulls are
less to be deprecated than the weeniest pun that was ever let loose.
Before leaving this part of our subject it is perhaps desirable that we
should remember that two of the very wittiest men of our own time have
come to us from Ireland. One of them was the late Mr. Oscar Wilde and the
other is Mr. George Bernard Shaw. Of Oscar Wilde, excepting that in his
prime he was a wit of the first water, I shall say nothing. Mr. George
Bernard Shaw, however, is another story. As a reformer and a serious
writer I make small account of him. On the other hand, as a wit, he is a
portent. He has been an unconscionable time coming into his own, but in
America, at any rate, people are beginning, by childlike, dim degrees,
to perceive that he has brilliance. If he had published the substance of
his printed work in any other form but that of plays, he might have been
a recognized and prosperous humorist long ago. The people who supply
the wit and humor of the day may be set down, without injustice, for a
sorry and indifferent company. Burnand, Payne, Emanuel, Jerome, Lucas,
Sims, Hickory Wood, and Barrie—these are some of the names of them. And
what do they stand for? Parts of _Punch_, _Eliza_, _Three Men in a Boat_,
_The Inside Completuar Britanniaware_ (O blood and knives!), _Mustard and
Cress_, or, The Fat Man’s Sabbath Morning, _The White Cat_, or, Cooper’s
Entire, _Peter Pan_, or, The Old Man’s Crèche. Heaven save us and keep
us from wishing that this squad of awkward witlings had never been born!
Mr. George Bernard Shaw in his sole person, and Irishman though he be, is
worth a wilderness of them. Some day we shall find it out, and in that
good hour Ireland will be able to boast that one of her sons was nearly
as great, nearly as humorous, and nearly as popular as, say, Mr. Mark
Twain.
CHAPTER XVI
DIRT
Public-domain text, read in full here on John Shaqi.
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