The carpet whereon I was stretched was soft and rich, the furniture was
of ebony, with gilt ornamentations--I think French, of the Empire
period--while close to me was a grand piano, and upon a chair beside it
a woman's garden hat.
I looked at that hat critically. It belonged to a young woman, no
doubt, for it was big and floppy, of soft yellow straw, with cherries,
and had strings to tie beneath the chin. I pictured its owner as pretty
and attractive.
About that room there were screens from Cairo, little inlaid
coffee-tables from Algiers, quaint wood-carvings of the Madonna beneath
glass shades, fashioned by the peasants of Central Russia, Italian
statuary, and modern French paintings. The room seemed almost a museum
of souvenirs of cosmopolitan travel. Whoever was its owner, he
evidently knew the value of _bric-a-brac_, and had picked up his
collection in cities far afield.
The door was closed, and over it hung a rich _portiere_ of dark-blue
plush edged with gold. The sculptured over-mantel, in white marble,
was, I quickly detected, a replica of one I had seen and admired in the
Bargello, in Florence. One object, however, aroused my wonder. It was
lying on the floor straight before me, an object in white marble, the
sculptured arm of a woman with the index-finger outstretched. The limb
was of life-size proportions, and had apparently been broken off at the
elbow.
I staggered unevenly to my feet, in order to further pursue my
investigations, and then I saw, upon a pedestal close to me, the marble
figure of a Phryne with its arm broken.
In the centre of that handsome apartment I stood and gazed wonderingly
around. My transition from that bizarre sitting-room in Chelsea to this
house, evidently in the country, had been effected in a manner beyond
comprehension. My surprising surroundings caused my weakened brain to
reel again. I was without hat or overcoat, and as I glanced down at my
trousers they somehow did not seem to be the same that I had been
wearing on the previous night.
Instinctively I felt that only by some extraordinary and mysterious
means could I have been conveyed from that close-smelling lodging in
Chelsea to this country mansion. The problem uppermost in my mind was
the identity of the place where I had thus found myself on recovering my
senses, and how I got there.
My eyes fell upon the push of an electric-bell. My position, lying
there injured upon the carpet, demanded explanation, and without further
hesitation I walked across and pressed the ivory button.
I heard no sound. The bell must have rung far away, and this gave me
the idea that the house was a large one.
Intently I listened, and a few minutes later heard a footstep. The door
opened, and an elderly man-servant, with grey whiskers, appeared in the
entry asking--"Did you ring, sir?"
"Yes," I answered. "Will you kindly inform me where I am?"
Public-domain text, read in full here on John Shaqi.
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