The will to doubt : $b An essay in philosophy for the general thinkerLloyd, Alfred H. (Alfred Henry)
Philosophy
The will to doubt : $b An essay in philosophy for the general thinker
Lloyd, Alfred H. (Alfred Henry)
Belief and doubt; Philosophy -- Introductions
Thus, as to the comedy of life, we need only to reflect that where
extremes always meet, where there is always conflict, but conflict of
such a nature that the parties to it not only may change sides, but also
in a genuine sense are always on both sides, in such a life politics
cannot be alone in making strange bedfellows, but the opportunity for
comic situations must be unlimited. A life in which reality has no
residence, and truth no place where to lay its head, in which fools may
utter wisdom and the wise may speak folly, in which reformers are easily
confused with transgressors and death itself is said to be life, is
bound to be richly and deeply humorous. Of such a life there can be no
understanding, into it there can be no insight, without the keenest
sense of humour. To say no more, that doubter and believer are
companions as well as opponents, is cause for a deal of merriment--at
least among the gods.
But life's comedy is also a poem, and no one save a poet can truly
comprehend it. Even a metaphysician must be not merely a humorist, but
also a poet; perhaps he must be more the poet than any other. Poetry is
the portrayal of life through suggestion of harmony, or poise, among its
conflicting elements. Nor can life be seen, or known, in any more direct
[p.277] way; only the balance of opposites, which always makes the poem,
can possibly present it to our ken. Commonly men feel this when they
insist that all portrayal of life, or of reality in general, must be
dualistic. Dualism, be it the theologian's or the moralist's or the
metaphysician's, the statesman's or the scientist's, never is and never
can be anything but so much poetry; richly and deeply significant
always, and always alive with what is real, but always poetry, never
prose. Can a reality, that is real only if, to the forms of experience,
it is always a _tertium quid_, can such a reality ever be present to any
other than a poet's consciousness? Reality is not knowable face to face;
it is beyond the reach of positive knowledge; though dwelling in, and
informing all knowledge, it can never come to the surface of knowledge;
for so, to its own betrayal, it would take sides and get a habitation
and a name. True, by analogies one may conceive it, as the religious man
thinks of God's personality, or as the philosopher thinks of the unity
of his world, or as the scientist thinks of nature's law; but the
analogies are always so many tethers, and are accordingly necessarily
partial, whereas no whole can ever be quite in kind with any of its
parts. We may conceive reality, then, by the use of analogy--that is, by
projecting what we do know of one or another side of life beyond its
natural sphere; but such projection, at least for him who has both
insight and humour, who feels the limits of his knowledge and the
grandly transcendent way in which he has used his knowledge for the
crossing of some chasm, and the solution of some conflict in his life,
is poetry.
Public-domain text, read in full here on John Shaqi.
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