The Will to Power: An Attempted Transvaluation of All Values. Book III and IVNietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Will to Power: An Attempted Transvaluation of All Values. Book III and IV
Nietzsche, Friedrich Wilhelm
Nihilism (Philosophy); Power (Philosophy); Values
The modern artist who, in his physiology, is next of kin to the
hysteric, may also be classified as a character belonging to this state
of morbidness. The hysteric is false,--he lies from the love of lying,
he is admirable in all the arts of dissimulation,--unless his morbid
vanity hood-wink him. This vanity is like a perpetual fever which is
in need of stupefying drugs, and which recoils from no self-deception
and no farce that promises it the most fleeting satisfaction. (The
incapacity for pride and the need of continual revenge for his
deep-rooted self-contempt, this is almost the definition of this man's
vanity.)
The absurd irritability of his system, which makes a crisis out of
every one of his experiences, and sees dramatic elements in the most
insignificant occurrences of life, deprives him of all calm reflection;
he ceases from being a personality, at most he is a rendezvous of
personalities of which first one and then the other asserts itself with
barefaced assurance. Precisely on this account he is great as an actor
_i_ all these poor will-less people, whom doctors study so profoundly,
astound one through their virtuosity in mimicking, in transfiguration,
in their assumption of almost any character required.
814.
Artists are not men of great passion, despite all their assertions
to the contrary both to themselves and to others. And for the
following two reasons: they lack all shyness towards themselves (they
watch themselves live, they spy upon themselves, they are much too
inquisitive), and they also lack shyness in the presence of passion
(as artists they exploit it). Secondly, however, that vampire, their
talent, generally forbids them such an expenditure of energy as passion
demands.--A man, who has a talent is sacrificed to that talent; he
lives under the vampirism of his talent.
A man does not get rid of his passion by reproducing it, but rather
he is rid of it if he is able to reproduce it. (Goethe teaches the
reverse, but it seems as though he deliberately misunderstood himself
here--from a sense of delicacy.)
815.
Public-domain text, read in full here on John Shaqi.
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