The Will to Power: An Attempted Transvaluation of All Values. Book III and IVNietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Will to Power: An Attempted Transvaluation of All Values. Book III and IV
Nietzsche, Friedrich Wilhelm
Nihilism (Philosophy); Power (Philosophy); Values
Would any link be missing in the whole chain of science and art, if
woman, if woman's work, were excluded from it? Let us acknowledge the
exception--it proves the rule--that woman is capable of perfection in
everything which does not constitute a work: in letters, in memoirs,
in the most intricate handiwork--in short, in everything which is not
a craft; and just precisely because in the things mentioned woman
perfects herself, because in them she obeys the only artistic impulse
in her nature,--which is to captivate.... But what has woman to do
with the passionate indifference of the genuine artist who sees more
importance in a breath, in a sound, in the merest trifle, than in
himself?--who with all his five fingers gropes for his most secret
and hidden treasures?--who attributes no value to anything unless
it knows how to take shape (unless it surrenders itself, unless it
visualises itself in some way). Art as it is practised by artists--do
you not understand what it is? is it not an outrage on all _our
pudeurs? ..._ Only in this century has woman dared to try her hand at
literature ("_Vers la canaille plumière écrivassière,"_ to speak with
old Mirabeau): woman now writes, she now paints, she is losing her
instincts. And to what purpose, if one may put such a question?
818.
A man is an artist to the extent to which he regards everything
that inartistic people call "form" as the actual substance, as the
"principal" thing. With such ideas a man certainly belongs to a world
upside down: for henceforward substance seems to him something merely
formal,--his own life included.
819.
A sense for, and a delight in, nuances (which is characteristic of
modernity), in that which is not general, runs counter to the instinct
which finds its joy and its strength in grasping what is typical: like
Greek taste in its best period. In this there is an overcoming of the
plenitude of life; restraint dominates, the peace of the strong soul
which is slow to move and which feels a certain repugnance towards
excessive activity is defeated. The general rule, the law, is honoured
and made prominent, conversely, the exception is laid aside, and shades
are suppressed. All that which is firm, mighty, solid, life resting
on a broad and powerful basis, concealing its strength this pleases:
_i.e._ it corresponds with what we think of ourselves.
820.
Public-domain text, read in full here on John Shaqi.
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