Of the principals, Miss St. Leger, with her magnetic personality and
tough little Chicago voice, was a prime favourite with everybody. Her
hold over the audience was wonderful: she could galvanise a Wednesday
matinée into enthusiasm. Compared with her, the second girl, Phyllis
Lane, was no more than an attractive amateur. But both were kind to
their humbler sisters. Indeed, nearly everybody was kind to everybody
in those days. The theatrical profession is conspicuous for its big
generosities and petty jealousies. In August, nineteen-sixteen, the
former had almost entirely obliterated the latter. A huge daily
casualty-list is a very levelling—indeed, binding—influence, especially
in such a community; there was not a girl in the chorus at the Imperial
who had not an interest, actual or prospective, in that casualty-list.
The male members of the company, as was only natural at the time, were
remarkable neither for their youth nor their physical fitness. In
addition to the phlebitic Ames, there were—Jack Hopeleigh, a
well-preserved hero with a light baritone—he was registered under the
Derby Scheme in group forty-three; Hubert Hartshorn, a comic manservant,
who owed his irresistible wheezy laugh to the fact that he had been
badly gassed at Ypres more than twelve months previously, and was now
discharged permanently unfit; and one Valentine Rigg, a stage lawyer,
who for forty years had earned a modest but steady income by arriving in
the Third Act with a black bag, and clearing up all misunderstandings
just before the clock struck eleven.
To the student of humanity the chorus gentlemen were really more
interesting than the principals. There was a dismal individual named
Chivers, who now kept a stationer’s shop in Brixton, but had once been
in grand opera—Carl Rosa’s chorus. He contributed a reedy tenor to the
ensemble. There was a plump little man with a round face and little
tufts of white whisker, invaluable in scenes of revelry where guests of
the "jolly old uncle" type were required. This was his first theatrical
engagement for fifteen years. In the interim he had supported life with
invincible cheerfulness, as a bookmaker’s clerk, a traveller in
hymn-books, and head-waiter in an old-fashioned Brighton hotel. There
was a discharged corporal of the Machine Gun Corps, with lungs of brass,
the D.C.M. ribbon on his waistcoat, and twenty-seven fragments of German
H.E. in his left leg. There was an unpleasant-looking youth named
Mervyn, with bobbed hair and a patronising manner—debarred from
volunteering his services to his country by reason of a susceptibility
to chills upon the liver. Popular rumour located these elsewhere.
Public-domain text, read in full here on John Shaqi.
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