But the God of degenerate peoples, the antagonistic, furious, implacable
God--that was a ridiculous conception. A cheap, a vain one. "As flies to
wanton boys, are we to the gods." Wasn't that how Shakspere's blind king
had uttered it? "They kill us for their sport." How strangely
flattering--to believe that the Immensity that had conceived and wrought
the unbelievable universe should deign to consider man, so weak that a
stone, a little slug of lead, could kill him, an enemy worth bothering
about. Man with his vanity, his broad fallibility, his poor natural
functions!
And as to the God of the optimists, how ridiculous, too. "The Lord is my
shepherd, I shall not want." So pathetic! They never saw that they did
want. That for every well-filled body, there were a hundred haggard men.
They thought of him as benevolent, firm but benevolent, like Mr.
Gladstone. To them he was an infinitely superior vestryman with a
tremendous power for dispensing coal and food to the poor. And the poor
devils were so patient, so loyal. And so stupid; they thought that much
flattery, much fear, would move Him. Their conception never even rose to
considering God as a gentleman, despising flattery and loathing fear.
Poor, poor devils!
To Shane He existed, though how to think of Him was difficult. Why a
man? Why not some strange thing of the air, as a cuttlefish is of the
sea? Something tenuous, of immense brain power, of immense will.
Something cold. But why even that? Why not, as the cabalists had it, a
Figure, arithmetical or geometrical, a Sound.... A Formula of some great
undiscoverable indefinable Thought.... He was cold, He was efficient. He
had so much brains....
It seemed to Shane that this optimism, this despair were strange mental
drugs, going through the mental system as a depressant or a stimulant
would go through the physical, creating illusions ... illusions ... and
the sane man was one who had no illusions, not the meaning a man uses of
the phrase when he has been jilted by a woman or wronged out of money by
a friend, but actually, finitely, no illusions.... He was sane, a few
other men in the world must be sane, but the rest were drugged for their
hell or their Fiddlers' Green....
Fiddlers' Green! Good God! Fiddlers' Green!
His mind flashed back a moment to the shining isle, the green sward, the
singing waves, the sunlight on the green jalousies, but strangely his
mind could see nothing. He could no longer make a picture for himself.
Symbols were barren algebraic formulae. Not enchanters' words. No light.
No glamour. Only strange sounds reverberating in the gray caverns of his
head.... Once in the dead past he could see the Isle of Pipers--no more!
It wasn't his past that was dead. The past lived. It was he was dead,
he, his present, his future.
Public-domain text, read in full here on John Shaqi.
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