Where before he had made his mistake with women was allowing them to
become spiritually important. His mother had been important; he had
suffered from the sense of her lack of heart to him. His wife had been
important; they hadn't understood life together, he made no attempt
to.... They were so young.... And Claire-Anne had become spiritually
important to him. So that when she was gone, it was hell.
If he had treated his mother casually, depending on his uncles, it would
have been all right. If he had discerned--and he had discerned, though
he knew not how to act--that his wife and he would forever be
inharmonious, it would not have been a scar on his youth. If he had gone
for instance to Alan Donn and said, "Uncle Alan, I'm afeared there's a
mistake been made. And what are we going to do about this woman o'
Louth?" And Alan would have said: "I ken't well you were a damned young
fool. Ah, well, gang off aboard your boatie, and I'll see to her." Alan
would have ditched her and her mother mercilessly, and there would have
been no scar on his youth....
And Claire-Anne, had he only taken her as he should have taken her, as a
light love, easily gotten, to be taken easily, instead of tragedizing
until his fingers were scarlet.... God!... Yes, where before he had made
his mistakes with women was allowing them to become spiritually
important.
Well, he wouldn't do that with Fenzile. He knew better now. Keep the
heart free. Let there be beauty and graciousness and kindliness, but
keep the heart free, and ask for no heart. All tragedies were internal,
all the outward deeds being only as sounds. Keep the heart free.
There were so many aspects to her. She was like a bird about the house,
gaily colored, of bright song. He loved to see her move here and there,
with movements as of music. And she was like a child at times, as she
solemnly made sherbets--very like a child she was, intense, simple. And
she was like a young relative; there was emptiness in the house as she
went, and when she came back it was like a bird singing.
And she was so beautiful about the place, with her eyes green of the
sea, her dusky velvet lips, her slim cinnamon hands, with the dramatic
orange tinting on the nails. Always was some new beauty in her, a tilt
of the head, a sudden gracious pose. She was like some piece of warm
statuary. From any angle came beauty, shining as the sun.
Public-domain text, read in full here on John Shaqi.
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