"'Easy-goin',' that's the word," Jerry nodded. "Tom and me get along
with each other like an order of buckwheat cakes, but we're set in our
ways and we don't want anybody to come between us."
"How would I do?" Pierce inquired, with a smile.
Tom answered promptly. "If your name was put to a vote I know one of us
that wouldn't blackball you."
"Sure!" cried his partner. "The ballot-box would look like a settin' of
pigeon eggs. Think it over and let us know. We're leavin' to-morrow."
A lease on Hunker Creek sounded good to Phillips. Big Lars Anderson had
been one of the first arrivals from Circle City; already he was rated a
millionaire, for luck had smiled upon him; his name was one to conjure
with. Pierce was about to accept the offer made when Jerry said:
"Who d'you s'pose got the lay below ours? That feller McCaskey and his
brother."
"McCaskey!"
"He's an old pal of Anderson's."
"Does Big Lars know he's a thief?"
Jerry shrugged. "Lars ain't the kind that listens to scandal and we
ain't the kind that carries it."
Pierce meditated briefly; then he said, slowly, "If your lay turns out
good so will McCaskey's." His frown deepened. "Well, if there's a law
of compensation, if there's such a thing as retributive justice--you
have a bad piece of ground."
"But there ain't any such thing," Tom quickly asserted. "Anyhow, it
don't work in mining-camps. If it did the saloons would be
reading-rooms and the gamblers would take in washing. Look at the lucky
men in this camp--bums, most of 'em. George Carmack was a squaw-man,
and he made the strike."
Pierce felt no fear of Joe McCaskey, only dislike and a desire to avoid
further contact with him. The prospect of a long winter in close
proximity to a proven scoundrel was repugnant. Balanced against this
was the magic of Big Lars' name. It was a problem; again indecision
rose to trouble him.
"I'll think it over," he said, finally.
Farther down the street Phillips' attention was arrested by an
announcement of the opening of the Rialto Saloon and Theater, Miller &
Best, proprietors. Challenged by the name of his former employer and
drawn by the sounds of merriment from within, Pierce entered. He had
seen little of Laure since his arrival; he had all but banished her
from his thoughts, in fact; but he determined now to look her up.
The Rialto was the newest and the most pretentious of Dawson's
amusement palaces. It comprised a drinking-place with a spacious
gambling-room adjoining. In the rear of the latter was the theater, a
huge log annex especially designed as the home of Bacchus and
Terpsichore.
The front room was crowded; through an archway leading to the
gambling-hall came the noise of many voices, and over all the strains
of an orchestra at the rear. Ben Miller, a famous sporting character,
was busy weighing gold dust at the massive scales near the door when
Pierce entered.
Public-domain text, read in full here on John Shaqi.
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