Morris Best's new partner was a square gambler, so called. People there were who sneered at this description and considered it a contradiction as absurd as a square circle or an elliptical cube. An elementary knowledge of the principles of geometry and of the retail liquor business proved the non-existence of such a thing as a straight crook, so they maintained. But be that as it may, Ben Miller certainly differed from the usual run of sporting-men, and he professed peculiar ideas regarding the conduct of his trade. Those ideas were almost puritanical in their nature. Proprietorship of recreation centers similar to the Rialto had bred in Mr. Miller a profound distrust of women as a sex and of his own ability successfully to deal with them; in consequence, he refused to tolerate their presence in his immediate vicinity. That they were valuable, nay, necessary, ingredients in the success of an enterprise such as the present one he well knew--Miller was, above all, a business man--but in making his deal with Best he had insisted positively that none of the latter's song-birds were ever to enter the front saloon. That room, Miller maintained, was to be his own, and he proposed to exercise dominion over it. As for the gambling-hall, that of necessity was neutral territory and he reluctantly consented to permit the girls to patronize it so long as they behaved themselves. For his part, he yielded all responsibility over the theater, and what went on therein, to Best. He agreed to stay out of it. This division of power worked admirably, and Miller's prohibitions were scrupulously observed. He was angered, therefore, when, one morning, his rule was broken. At the moment he was engaged in weighing, checking up, and sacking his previous night's receipts, he looked up with a frown when a woman's--a girl's--voice interrupted him. "Are you Ben Miller?" the trespasser inquired. Miller nodded shortly. He could be colder than a frog when he chose. "I'm looking for work," explained the visitor. "You got the wrong door," he told her. "You want the dance-hall. We don't allow women in here." "So I understand." Miller's frown deepened. "Well, then, beat it! Saloons are masculine gender and--" "I'm not a dance-hall girl, I'm a dealer," the other broke in. "You're a--WHAT?" Ben's jaw dropped; he stared curiously at the speaker. She was pretty, very pretty, in a still, dignified way; she had a fine, intelligent face and she possessed a poise, a carriage, that challenged attention. "A dealer? What the deuce can you deal?" he managed to ask. "Anything--the bank, the wheel, the tub, the cage--" Disapproval returned to the man's countenance; there was an admonitory sternness to his voice when he said: "It ain't very nice to see a kid like you in a place like this. I don't know where you learned that wise talk, but--cut it out. Go home and behave yourself, sister. If you're broke, I'll stake you; so'll anybody, for that matter."