When Raoul rose to speak, he felt a choking emotion; but it soon left
him, and he commenced in a steady, calm tone, his accent giving point
and interest to many of his expressions.
"Messieurs," said he, "I will not deny my name, my character, or my
manner of life. I am a Frenchman, and the enemy of your country. I am
also the enemy of the King of Naples, in whose territories you found me.
I have destroyed his and your ships. Put me on board my lugger, and I
should do both again. Whoever is the enemy of la France is the enemy of
Raoul Yvard. Honorable seamen, like yourselves, Messieurs, can
understand this. I am young. My heart is not made of rock; evil as it
may be, it can love beauty and modesty and virtue in the other sex. Such
has been my fate--I love Ghita Caraccioli; have endeavored to make her
my wife for more than a year. She has not authorized me to say that my
suit was favored--this I must acknowledge; but she is not the less
admirable for that. We differ in our opinions of religion, and I fear
she left Monte Argentaro because, refusing my hand, she thought it
better, perhaps, that we should not meet again. It is so with maidens,
as you must know, Messieurs. But it is not usual for us, who are less
refined, to submit to such self-denial. I learned whither Ghita had
come, and followed; my heart was a magnet, that her beauty drew after
it, as our needles are drawn toward the pole. It was necessary to go
into the Bay of Naples, among the vessels of enemies, to find her I
loved; and this is a very different thing from engaging in the pitiful
attempts of a spy. Which of you would not have done the same, Messieurs?
You are braves Anglais, and I know you would not hesitate. Two of you
are still youthful, like myself, and must still feel the power of
beauty; even the Monsieur that is no longer a young man has had his
moments of passion, like all that are born of woman. Messieurs, I have
no more to say: you know the rest. If you condemn me, let it be as an
unfortunate Frenchman, whose heart had its weaknesses--not as an
ignominious and treacherous spy."
The earnestness and nature with which Raoul spoke were not without
effect. Could Sir Frederick have had his way, the prisoner would have
been acquitted on the spot. But Lyon was skeptical as to the story of
love, a sentiment about which he knew very little; and there was a
spirit of opposition in him, too, that generally induced him to take the
converse of most propositions that were started. The prisoner was
dismissed, and the court closed its doors, to make up its decision by
itself, in the usual form.
Public-domain text, read in full here on John Shaqi.
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