Joy and Tiddy accordingly burst into song, assisted by Allan and
John. Mrs. Hewitt, who had to be very stealthy about coming in,
because she had been put out several times for talking in the middle
of some exciting moment, slid into a chair beside the De Guenthers,
and behaved nobly. She was quite able to be around now, and Joy was
beginning to feel that she ought to accede to Phyllis' requests to
go back and stay with them a while. The children demanded her daily.
"I do hope the gate receipts will be more than the expenses,"
Clarence said hopefully in a resting-space. "The last time I got up
anything like this we cleared just two dollars. We'd formally
dedicated it to a Home for the Aged, in the blessed hope that the
directresses would sell tickets enough to fill the hall. But they
didn't. They took our two dollars away from us just the same. I
always begrudged them that two-spot."
"If you have the girls' school in it that can't happen," Gail
reminded him. "They're little demons at ticket-selling."
So next day Phyllis took Joy with her, and also the De Guenthers as
an evidence of deep respectability, and they drove over to the
school, and actually secured the co-operation of the girls and their
teachers. The thing was being so hurried through, as amateur
theatricals should be to go well, that the whole thing would be over
in two and a half weeks more. As Phyllis was personally very much
liked by the principal, there was very little trouble made about it.
Indeed, the teachers planned to take notes and borrow costumes, and
give the thing themselves as a commencement entertainment the next
June, if it proved possible.
The boys were rather harder to get, but here, too, they succeeded,
finally. And "Iolanthe" went prosperously on.
In a couple more days Phyllis, who really could get almost anything
she wanted from almost anybody, if she took the trouble, coaxed Joy
back from Mrs. Hewitt.
"You'll have her most of the rest of your natural life," she
pleaded. "And I saw her first. I think I ought to have her now."
So Mrs. Hewitt reluctantly gave her up, and she went back to the
Harrington house.
She saw scarcely less of John, because he continued to come
regularly to see them in the mornings on his way home, and generally
got in a little visit in the afternoons, not counting the fact that
he took her on his rounds with him three days out of five. And then,
of course, there were the rehearsals.
"My dear," he remonstrated with her, as they were on their way home
from one of these, "I don't want to seem to scold you, but you
shouldn't let young Gray put his arm around you the way he does."
"Put his arm around me?" demanded Joy, quite honestly surprised.
"Why, what do you mean? Oh--the rehearsals! Why--why, John! You and
Allan have to put your arms around Gail every little while, and so
does everybody else. And I'm supposed to be _Strephon's_ mother.
People have to, in theatricals."
Public-domain text, read in full here on John Shaqi.
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