Phyllis' remark about being useful seemed to be in a fair way to be
fulfilled. Allan threatened to put out a sign, he said, on the front
gate, "No coaching done between twelve and three A.M." Finally he
did discover an excellent scheme, which consisted of making the
house and garden look deserted, and locking himself and Phyllis in
the library most of the day.
"It's rather pleasant," he informed her. "Since I developed this
plan I'm really getting more of your uninterrupted society than I
have since this terrible "Iolanthe" devastated the village.... Just
why did it happen, Phyllis--have you any idea?"
"Speak lower," said Phyllis. "I'm perfectly certain I heard footsteps."
"Probably a deputation from Miss Addams' school, to ask you whether
the right or left foot comes first," her husband answered her quite
accurately.
"But, Allan dear," protested Phyllis, "you know perfectly well that
if I don't go out and stem the tide they will find Joy, and tear the
child away from the first moment she's had with John alone since I
don't know when."
"This is the first moment I've had alone with you since I don't know
when," he answered, unmoved, coming over and putting both arms
around her, to draw her resolutely away from the door. "And if you
will consider carefully, my darling, you will remember that Joy is
much younger than either of us, and hence has many more years to
spend with John than you have with me. Now cease to be a slave to
duty, or whatever it is, and come sit on the arm of my chair."
"You'll never grow up!" said Phyllis protestingly; but she ceased to
be a slave to duty immediately, and sat on the arm of his chair until
he pulled her down on his lap, which he did almost on the spot.
Meanwhile Joy, walking up and down in the garden paths and
memorizing her part, had been found by John, who was trying to lure
her off for a ride.
"Nobody can find us on a galloping car," he said persuasively.
But Joy was more steadfast than Phyllis.
"I expect Tiddy over to rehearse with me," she said. "He will be
here in about five minutes. You know that 'Good morrow, good mother'
thing that he has to do prancing in and playing on a pipe. And none
of us can make out what a pipe is. Tiddy says if there's no further
light on it by next rehearsal he's going to use a meerschaum."
"You might let me rehearse with you," grumbled John. "Every time I
come near I find you dancing hand-in-hand with Tiddy or Clarence or
Mrs. Beeson" (Mrs. Beeson was the gigantic Fairy Queen) "or sewing
on some wild thing for some seminary child."
"Some of those seminary children are only a year younger than I am,"
she reminded him. "But if you would like to rehearse your part with
me you'll have to go find Allan. All your scenes are with him."
Public-domain text, read in full here on John Shaqi.
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