And in just as brief a time as it might take an active young man to
shed his overshoes and his raincoat, in walked Clarence Rutherford,
as gay as always, and unusually secure of his welcome.
CHAPTER ELEVEN
PIRATE COUSINS TO THE RESCUE
"Thought I'd drop in and tell you some inspiriting news, it's such a
beastly night," said he with _empressement_. "--Princess Melisande!
What have they been doing to you?" he broke off to ask tenderly under
his breath. "Our little princess turned into a Cinderella!"
His tone was calculated to induce self-pity in the breast of an
oyster. But Joy, though she liked it mildly, did not feel moved to
tears. Clarence was an interruption, even if a flattering one.
"My mother is ill," explained John, when Clarence had greeted him
also in his most setting-at-ease manner. ("Kind of a man who'd try
to make you welcome in your own house!" he growled under his breath.
John also felt interrupted.)
But Clarence established himself friendlily in a third chair, and
told Joy with charming masterfulness that she was to put down her
work immediately and listen to him.
"We're going to get up a Gilbert and Sullivan opera," said he. "Now
it stands to reason that we have to have you. I can tell by the
pretty way you speak you have a good stage delivery, and you have
all sorts of presence. Question is, have you a voice? If so, much
honor shall be yours."
"Well, I've had lessons for years, and they say so," offered Joy
modestly. "It's mezzo-soprano--lyric."
Both men looked at her in surprise. People were always being
surprised at things she knew--as if she had ever done anything in
her life but be trained--for no particular purpose, as it had
seemed. And now everything she knew seemed to be going to be useful,
one way or another. Harp lessons, singing lessons, lessons in the
proper way to speak Grandfather's poetry--there had never seemed to
be any particular point to any of them. And now everything was
falling into line.
"Go on," said Clarence. "But I forgot, you said you couldn't dance."
"Only the kind that people do in--bare feet and Greek draperies, and
I hate that," Joy answered deprecatingly.
"You are a Philistine," said Clarence. "But it's attractive."
"One of Grandfather's friends does it for a living, and taught me, as
a token of affection and esteem, she called it. Would it be any use?"
"Use?" said Clarence rapturously. "You are exactly what the doctor
ordered. If I can stun Gail into submission you shall be our leading
lady, with all the real star parts in your grasp. Rehearsals at ten
sharp, and _I'm_ the director. _Me voici!_"
He rose and made her a deep bow.
He had, apparently, quite forgotten John, who still sat quietly with
his paper across his knees, listening to them.
"And where do I come in?" he asked with a little twinkle in his eyes.
"Oh-oh yes," returned Clarence genially, "my dear fellow, how could
we have forgotten you? Good old John, to want a part!"
Public-domain text, read in full here on John Shaqi.
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