American literature -- Humor; American wit and humor
"Bring forth the stovepipe,
The stovepipe, the stovepipe--"
chanted Seffy's frivolous father in the way of the Anvil Chorus.
"And my butterfly necktie with--"
"Wiss the di'mond on?" whispered his father.
They laughed in confidence of their secret. Seffy, the successful wooer,
was thawing out again. The diamond was not a diamond at all--the Hebrew
who sold it to Seffy had confessed as much. But he also swore that if it
were kept in perfect polish no one but a diamond merchant could tell the
difference. Therefore, there being no diamond merchant anywhere near,
and the jewel being always immaculate, Seffy presented it as a diamond
and had risen perceptibly in the opinion of the vicinage.
"And--and--and--Sef--Seffy, what you goin' to _do_?"
"Do?"
Seffy had been absorbed in what he was going to wear. "Yas--yas--that's
the most important." He encircled Seffy's waist and gently squeezed it.
"Oh, of _course_! Hah? But what _yit_?"
I regret to say that Seffy did not understand.
"Seffy," he said impressively, "you haf' tol' me what you goin' to wear.
It ain't much. The weather's yit pooty col' nights. But I ken stand it
if you ken--God knows about Sally! Now, what you goin' to _do_--that's
the conuntrum I ast you!"
Still it was not clear to Seffy.
"Why--what I'm a-going to do, hah? Why--whatever occurs."
"Gosh-a'mighty! And nefer say a word or do a sing to help the
occurrences along? Goshens! What a setting-up! Why--say--Seffy, what you
set up _for_?"
Seffy did not exactly know. He had never hoped to practise the thing--in
that sublimely militant phase.
"What do _you_ think?"
"Well, Sef--plow straight to her heart. I wisht I had your chance. I'd
show you a other-guess kind a setting-up--yassir! Make your mouth warter
and your head swim, begoshens! Why, that Sally's just like a young
stubble-field; got to be worked constant, and plowed deep, and manured
heafy, and mebby drained wiss blind ditches, and crops changed constant,
and kep' a-going thataway--constant--constant--so's the weeds can't git
in her. Then you ken put her in wheat after a while and git your money
back."
This drastic metaphor had its effect. Seffy began to understand. He said
so.
"Now, look here, Seffy," his father went on more softly, "when you git
to this--and this--and this,"--he went through his pantomime again, and
it included a progressive caressing to the kissing point--"well, chust
when you bose comfortable--hah?--mebby on one cheer, what I know--it's
so long sence I done it myself--when you bose comfortable, ast
her--chust ast her--aham!--what she'll take for the pasture-field! She
owns you bose and she can't use bose you and the pasture. A bird in the
hand is worth seferal in another feller's--not so?"
But Seffy only stopped and stared at his father. This, again, he did
_not_ understand.
"You know well enough I got no money to buy no pasture-field," said he.
Public-domain text, read in full here on John Shaqi.
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