Great Britain -- History -- James I, 1603-1625 -- Fiction; Witchcraft -- Fiction
Aderhold looked beyond at the wavy green path and the massed trees of
the forest. He, too, loved this country. He had thought much here—once
or twice the light had shone through. But he was ready now to go. Just
as soon as there was no more sick, just as soon as the plague was gone,
he meant to steal from the Oak Grange and Hawthorn countryside. He and
Joan came to the little gate, and he went out of it, then turning for
a moment looked back at the thatched cottage, the pleasant beehives,
the fruit trees that ere long would put forth a mist of bloom. Joan
stood with a sorrowful face, but grey-eyed, vital. Her hand rested
upon the worn wood. He laid his own upon it, lightly, for one moment.
“Good-bye,” he said, “Mistress Friendly-Soul!”
She stood in the pale sunshine until he was gone from sight, then
turned and went back to her kitchen. She must bake bread; there was
nothing for her to eat in the cottage. She must get water from the
well. She took her well-bucket, went forth and brought it back
brimming. From the faggot pile she fed the fire, then brought to the
table coarse flour and other matters for the bread, mixed and worked,
moulded and set to bake. And all the time she tried to feel that her
father was sitting there, in the settle corner. She made the table
clear again, then looked at her wheel. But she did not feel like
spinning; her heart was burdened again; she sat down on the stool by
the fire and bowed her head in her arms. “Day after day and day after
day,” she said; “day after day and day after day.” She rocked herself.
“And a powerful man that I hate to come again and yet again to trouble
me, and father not here.... Day after day and day after day.... And
I know not why it is, but I have no friends. They’ve turned against
me, and I know not why.... Day after day—” She sat with buried head
and rocked herself slowly to and fro. Save for the youth in her form
and the thick, pale bronze of her braided hair, she might have seemed
Mother Spuraway, or Marget Primrose, or any other old and desolate
woman. She rocked herself, and the faggot burned apart, and the cat
stretched itself in the warmth.
From outside the cottage came a thin calling. “_Joan! Joan! Oh, Joan!_”
Joan lifted her head, listened a moment, then rose and opened the
door. “_Joan! Joan! Oh, Joan!_” She stepped without and saw who it
was,—Alison Inch and Cecily Lukin calling to her from the green path
well beyond the gate. They would come at first no nearer. The plague
had struck in the Lukin cottage no less than in Heron’s, and for weeks
it had closely neighboured Alison Inch and her mother. But Joan must
be made to feel comrades’ terror of her. “Joan! Joan! Have you got it
yet?—We want but to see if you’re living!”
With a gesture of anger Joan turned to reënter the cottage.
But Alison did not wish that. “Joan! Joan! We were laughing. We’re not
afraid if you don’t come very close.—I’ve got something to tell you.
See! I’m not afraid.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account