Johannes, resolved that if he should marry the astrologist he
would move out of the neighborhood, and take a house in a cleaner
part of the city, for he felt that if he had to do even the
courting here, he would have to fumigate himself after every
visit to his lady-love as though he had just come out of a
yellow-fever ship. He knew that if he should chance to meet the
Health Officer in the street after a two hours’ stay in that
locality, that trusty official would, from the unhealthy smell of
his coat, quarantine him for forty days, and put him up to his
neck in a barrel of chloride of lime every morning.
But a full-fledged Cupid is a plucky animal, and not easily
killed by anything no more tangible than smell, and the
particular Cupid that had possession of the voyager’s heart came
of a long-suffering breed, and was equal to almost any emergency.
So as Johannes did not feel his ardent passion die, or even turn
sick at the stomach, he thought he could manage to get through.
If he couldn’t get along any other way, he could fill his pockets
with brimstone matches, and his boots full of blue vitriol. Or
he could carry a bunch of Chinese fire-crackers in his hat, and
touch them off on the sly whenever he felt himself in need of a
healthy smell. Then he could wash himself all over in lime-water,
and drink a quart or so of some liquid disinfectant every time he
came away. So he went ahead.
Madame Carzo, the Brazilian interpreter of Yankee fate and
fortunes, lives in the third story of the house No. 151 Bowery,
with her sister, a girl of about fifteen years of age. The two
occupy themselves with plain sewing, except when the Madame is
overhauling the future and taking a look at the hereafter of some
anxious inquirer, who pays her as much for the reliable
information she imparts in three minutes, as she would charge him
for making three shirts. The inquirer gave his customary modest
ring at the door, and was admitted with as little question as if
he had been the taxes, the Croton water, or the gas. Up the two
flights of stairs walked the gentleman in the pursuit of
witchcraft, gave a bashful knock at the door, at the side of
which was painted, on a small bit of pasteboard, “Madame
Carzo”—repented of his temerity before the echo of the knock had
died away, but was admitted into the room before his repentance
had time to develop itself into running away.
Public-domain text, read in full here on John Shaqi.
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