Kettles, camp-fires, white tents under green trees, indigenous
brown babies and exotic white ones, with a panorama of empty
cradles and mourning mothers in the distance, moonlight nights,
midnight foraging excursions, expeditions against impertinent
game-keepers, demonstrations against hen-roosts—successful by
masterly generalship and pure strategic science—and the midnight
forest cookery of contraband game, surreptitious pigs and
clandestine chickens—were among the romantic ideas of a
delightful vagabond gipsy life that at once suggested themselves
to the mind of the Cash Customer. He did not really expect to
find the Third-Avenue gipsy camped out under a bed-quilt tent in
the lee of the house, or cooking her dinner in an iron pot over
an out-door fire in the back yard, but he had a vague undefined
hope that there would be some visible indications of gipsy life,
if it was nothing more than the pawn-tickets for stolen spoons.
He thought to find at least one or two beautiful babies knocking
about, decorated with coral necklaces and golden clasps,
suggestive of rich parents and better days, and had firmly
resolved to send the little innocents to the alms-house by way of
improving their condition. Full of these romantic notions, the
reporter started on his philanthropic mission, taking the
preliminary precaution of leaving at home his watch and
pocket-book, and carrying with him only small change enough to
pay the advertised charges.
In one of those three-story brick houses so abounding in this
city, which seem to have been built by the mile and cut off in
slices to suit purchasers, in the Third Avenue above Eighteenth
Street, dwelt at that time the gay Bohemian. The building in
which she lived, though three stories in height, is very short
between joints, which style of architecture makes all the rooms
low and squat, as if somebody had shut the house into itself like
a telescope, and had never pulled it out again.
Public-domain text, read in full here on John Shaqi.
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