To paint the picture of Mother Marshall when she sat on her new
air-cushions and counted her spoons and forks--real silver forks beyond
all her dreamings!--to show Father Marshall, as he wiped his spectacles
and bent, beaming, over the encyclopedias or rested his gray head back
against the cushions! Ah! That would be the work of an artist who could
catch the glory that shines deeper than faces and reaches souls! As for
Courtland, he was too much taken up watching Bonnie's face when she
opened her books, looking deep into her eyes as she looked up from the
little velvet case where the watch ticked softly into her wondering
ears; seeing the breathlessness with which she lifted the flowers from
their bed among the ferns and placed them reverently in jars and
pitchers around the room.
It was a wonderful Christmas! The first real Christmas Courtland had
ever known. Sitting in the dim firelight between dusk and darkness,
watching Bonnie at the piano, listening to the tender Christmas music
she was playing, joining his sweet tenor in with her clear soprano now
and then, Courtland suddenly thought of Tennelly, off at Palm Beach,
doing the correct thing in wedding trips with Gila. Poor Tennelly! How
little he would be getting of the real joy of Christmas! How little he
would understand the wonderful peace that settled down in the heart of
his friend when, later, they all knelt in the firelight, and Father
Marshall prayed, as if he were talking to One who stood there close
beside him, whose companionship had been a life experience.
There were so many pictures that Courtland had to carry back with him to
the seminary. Bonnie in the kitchen, with a long-sleeved, high-necked
gingham apron on, frying doughnuts or baking waffles. Bonnie at the
organ on Sunday in the little church in town, or sitting in a corner of
the Sunday-school room surrounded by her seventeen boys, with her Bible
open on her lap and in her face the light of heaven while the boys
watched and listened, too intent to know that they were doing it. Bonnie
throwing snowballs from behind the snow fort he built her. Bonnie with
the wonderful mystery upon her when they talked about the little watch
and whether she might keep it. Bonnie in her window-seat with one of the
books he had given her, the morning he started to go out with Father
Marshall and see what was the matter with the automobile, and then came
back to his room unexpectedly after his knife and caught a glimpse of
her through the open door.
And that last one on the platform of Sloan's Station, waving him a
smiling good-by!
Public-domain text, read in full here on John Shaqi.
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