The Aleshine girls from Big Buck Gap, a young [200] widow
who lived half way down the Side, two cousins of the Derf's
themselves--these were the women in the room. Callista was
desperately afraid lest one of the loud-talking, half-intoxicated
men in there should come out and discover her; yet she could not
drag herself away from sight of Lance sitting housed, warm,
comforted and fed--a home made for him. Something knocked at the
door of her heart with a message that this scene carried; but
fiercely she barred that door, and set herself to defend her own
position.
Grasping a trunk of muscadine vine, which, when she shivered,
shook down icy drops upon her, Callista rested long, regarding
the scene before her. What should she do? To return to her home
and leave her husband there seemed a physical impossibility. To
go in and play the high-and-mighty, as she had been wont to do
in her free girlhood, to glance over her shoulder with dropped
eyelids and inform Lance Cleaverage that she cared not at all
what he did or where he went--this were mere farce; her time for
that sort of mumming was past.
Lance had finished his supper now, and turned from the board. It
seemed to Callista that he looked well pleased with himself,
satisfied, even gay. The sight set her teeth rattling in fresh
shivers. Still he did not play for the dancers, who continued to
make what headway they might to the time of Jim's patting. [201]
Callista saw Ola bring the banjo and lay it in Lance's lap. Then
the little brown girl seated herself close beside him. He bent
and placed the instrument properly in Ola's grasp, disposing the
short, stubbed fingers on the strings. In the positive throe of
jealousy that this sight brought, Callista must needs, for her
own self-respect, recall that Lance had offered more than once
to teach her to play, and that she had refused--and pretty
shortly, too--to learn, or to touch the banjo, which she had
come to hate with an unreasoning hatred. Now the dancers grew
tired of Jim and his patting, and the call was for music.
"See here, Lance Cleaverage," said Buck Fuson, "we-all throwed
in to get you to play; but we ain't a-goin' to pay the money and
have you fool away yo' time with Ola."
This was the first that Callista knew of Lance earning money by
his banjo-playing.
"All right," said Cleaverage laconically, not looking up from
his instructions. "I've had me a good supper, and I've got a
warm place to stay, and that's all I want. Go on and dance."
Public-domain text, read in full here on John Shaqi.
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