The Wizard's Son, Vol. 1 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 1 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
The drawing-room in Moray Place seemed in the partial gloom very large
and lofty. It must be remembered that Walter was accustomed only to the
comparatively small rooms of an English country town where there was
nobody who was very rich--and the solid, tall Edinburgh houses were
imposing to him. There was no light but that which came from a blazing
fire, and which threw an irregular ruddy illumination upon everything,
but no distinct vision. He saw the tall windows indefinitely draped, and
looking not unlike three colossal women in abundant vague robes standing
against the wall. In a smaller room behind, which opened from this, the
firelight was still brighter, but still only partially lit up the
darkness. It showed, however, a table placed near the fire, and glowing
with bright reflections from its silver and china; and just beyond that,
out of the depths of what looked like an elongated easy-chair, a piece
of whiteness, which was a female countenance. Walter, confused at his
entrance, made out after a moment that it was a lady, half reclining on
a sort of invalid _chaise longue_, who raised herself slightly to
receive him, with a flicker of a pair of white, attenuated hands. "You
are very welcome, Lord Erradeen," she said, in a sweet, feeble voice.
"Will you excuse my rising--for I'm a great invalid--and come and sit
down here beside me? I have been looking for you this half-hour past."
The hand which she held out to him was so thin that he scarcely felt its
light pressure. "If you have no objection," said Miss Milnathort, "we
will do with the firelight for a little longer. It is my favourite
light. My brother sent me word I was to expect you, and after your cold
walk you will be glad of a cup of tea." She did not pause for any reply,
but went on, drawing the table towards her, and arranging everything
with the skill of an accustomed hand. "I am just a cripple creature,"
she said. "I have had to learn to serve myself in this way, and Robert
is extraordinarily thoughtful. There is not a mechanical convenience
invented but I have it before it is well out of the brain that devised
it; and that is how I get on so well with no backbone to speak of. All
this is quite new to you," she said, quickly shaking off one subject and
taking up another, with a little swift movement of her head.
"Do you mean--Edinburgh, or----"
"I mean everything," said the lady. "Edinburgh will be just a bit of
scenery in the drama that is opening upon you, and here am I just
another tableau. I can see it all myself with your young eyes. You can
scarcely tell if it is real."
"That is true enough," said Walter, "and the scenery all turns upon the
plot so far: which is what it does not always do upon the stage."
"Ay!" said Miss Milnathort, with a tone of surprise, "and how may that
be? I don't see any particular significance in Holyrood. It is where all
you English strangers go, as if Edinburgh had no meaning but Queen
Mary."
Public-domain text, read in full here on John Shaqi.
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