The Wizard's Son, Vol. 1 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 1 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
Walter was much startled when he went back to the inner drawing-room and
found it lighted. Miss Milnathort did not employ any of those devices by
which light is softened to suit the exigencies of beauty which has
passed its prime. The light (alas for the prejudices of the æsthetic
reader) was gas; and, though it was slightly disguised by means of opal
glass, it still poured down in a brilliant flood, and the little room
was almost as light as day. She lay in her _chaise longue_ placed under
this illumination. Her face was preternaturally young, almost childish,
small, and full of colour, her hair snow-white. She seemed to have been
exempted from the weight of years, in compensation, perhaps, for other
sufferings; her skin was smooth and unwrinkled, her eyes full of dewy
brightness like those of a girl. Her dress, so far as it was visible,
was white, made of cashmere or some other woollen material, solid and
warm, but with lace at the neck, and pretty ribbons breaking the
monotony of the tint. She looked like a girl dressed for some simple
party, who had lain there waiting for the little festivity to begin, for
no one could imagine how many years. Her hands were soft and round and
young like her face. The wind had not been allowed to visit her cheek
too roughly for a lifetime. What had happened before the event which she
and her brother had both referred to as her "accident" belonged to a
period which had evidently nothing to do with the present. Walter saw at
a glance that every possible convenience which could be invented for an
invalid surrounded her. She had a set of bookshelves at one side with
vacant spaces where she could place the book she was reading. Tables
that wheeled towards her at a touch, with needlework, with knitting,
with drawing materials, were arranged within reach. One of these made
into a desk and put itself across her couch by another adaptation. It
was evident that the tenderest affection and care had made this prison
of hers into a sort of museum of every ingenuity that had ever been
called to the help of the suffering. She lay, or rather sat, for that
was her general position, with an air of pleasant expectation on her
face, and received them with smiles and hands held out. "Come away,
come away," she said in her soft Scotch. "I have been wearying for you."
Walter thought there was something of age in her voice, but that might
have been only the Scotch, and the unusual form of her salutation. She
pointed out a chair to him carefully placed for her convenience in
seeing and hearing. "Come and tell me what you think about it all," she
said.
"I have not heard much," said Walter, "to think about: except that I am
to go away directly, which does not please me at all, Miss Milnathort."
"Oh, you will come back, you will come back," she said.
Public-domain text, read in full here on John Shaqi.
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